Finely woven textile composed of two rectangular pieces sewn together. Down the centre line extends a band of burgundy-purple with small flowers of various colours. On either side, a band of chevron-style zigzags in beige, yellow, dark green and dark purple. Six solid bands of dark blue-black or black with dotted lines of colourful stitching separating each design. The main body of the textile is solid brown. The textile is edged with a band of burgundy, and one edge has pink triangular stitching.

Fragment of light brown fabric with a design in dark brown, and a section of solid dark brown and solid red-brown.

Woven tunic (cushma) with hand-drawn geometric design. The tunic is composed of two long, rectangular panels folded in half, and then stitched together on the sides. There is an opening at the top for a head, and on the sides for arms. Down both sides, bands composed of thin vertical stripes of orange, blue, yellow, pink and light blue. Down the centre, are two bands, on either side of the stitching, composed of wide green stripes and thin lines of various colours.

Nasca style contemporary jar. Spherical hollow body with deep cylindrical bowl at centre and a long spout at the side. Painted decoration of five figures holding weapons with a dark brown background. Unpainted base. Polished surface.

Open-work, rectangular textile. Fine white thread has been twisted to create a mesh grid, with patterning appllied by in-filling squares of the mesh across large areas. Patterns include lines, zigzags, collections of squares, and key patterns. What remains of the edges has been finished.

Rectangular cloth is constructed in a fine weave, with geometric patterns connected by open-work stitching. Two large zigzagging lines separate the areas of patterning. At bottom is a row of similar stepped motifs. Cloth is coloured shades of brown.

Elongated jar with rounded bottom. Body of pot is wide at shoulder, inclining smoothly toward the pointed base. Rim is cup-shaped, surrounding a smaller mouth, with two small protuberances at either side. It sits on a smaller, bulbous neck. Two small handles span from neck to shoulder, beneath the rim’s protuberances. Half the pot is painted brown, and half a light yellow-white, with a small step design of the opposite side’s colour sitting below the neck on each side.

Elongated jar with rounded bottom. Pot in human form, with legs and arms rising slightly off surface of the body. Legs curve around front from sides, with small feet protruding. Arms are held at chest level, hands clutching a small vessel. Neck of jar is tall with straight sides, made into a face with large rounded ears, protruding nose and eyes, and a wide mouth. Small triangles emerge around the rim of the pot and a tiny round handle sits at back of neck. Pot is mainly unpainted but for chin, eyes and forehead which appear to have been dark brown at one time, and light staining suggesting colours on sides and back of head.

Round, wide-mouthed bowl. Bowl flares slightly out from the rim and narrows sharply at the halfway point toward a small round base. The outside surface is a light cream colour, covered in a finely etched pattern outlined with blue and red linear figures. Both the top rim and the halfway point of the bowl are ringed with a thick dark brown line. The interior of the bowl is painted brown and the base is painted red. Both inside and outside have a shiny glaze.

Small Nasca style contemporary stirrup spout pot. Vessel is round with curved unfinished bottom, slightly taller than wide. Top is enclosed and has two spouts emerging, connected by a small curved bridge at their midpoints. Spouts and bridge are dark brown. Upper body is decorated with a figure that wraps around the pot. The lower body is decorated with a repeating geometric pattern. Collector's sticker and red dot sticker on base.