The boots (part a-b) are brown sealskin with a band of fur and blue fabric around the opening. The boots made of shaved ringed sealskin with soft pleated shaved bearded sealskin soles. The top of the boots is trimmed with a haired strip of ringed sealskin with horizontal fur flow and a blue fabric casing. The drawstrings are made of blue fabric tape that can be tied at the back of the boots. The leg section of the boots is rather broad, angling slightly outward.

Otter, lightly carved details. Curved back. Tail bent downward.

Seal, detail is lightly carved. Tail curves slightly to the left. Dots decorated the back.

Handwoven belt with a multi-coloured pattern. The sash, or belt, is long and woven with lines of short diagonal stripes in white, yellow, light blue, dark blue, and green on a bright red background. The wool is plaited into thick cords at each end, with the threads left long and unbraided. Square yellow badges stitched to either end, on front; gold sticker on back with maker information.

Black stone carving of male figure, leaning forward and doing a task. He has oval-shaped eyes, wide nose, incised eyebrows and frowning mouth. Man has an etched bushy moustache. Wavy lines incised into forehead, imitating wrinkles. Chin juts out. Wrapping covering sides and back of head carved in relief. He is wearing a parka, with the hood down, pants and tall boots. Line decorations incised into parka cuffs, and along fronts of boots. Man is holding a rectangular object, with triangular cutout along back, in his left hand. Right hand is not visible. Left foot is resting flat, right is partially raised. Figure is standing on an uneven triangular base. Artist signature and other inscriptions on base.

Stonecut print of two kayaking men. The men have dark hair and are wearing hooded parkas. Both are using double-bladed paddles and have three black bundles on the back of their kayaks. A man-like monster is swimming under the water, on the left side of the print, and pointing up at one of the kayakers. He has long hair and is wearing a long-sleeved shirt, pants and tall boots. On the shoreline, a woman is depicted exiting a light yellow-brown tent. She is wearing a hooded, long-tailed parka and tall boots; she is holding a pouch(?). In front of her tent is a fire pit with a pot over it; jagged clouds of black smoke(?) surround it. A large bird is flying along the right side of the print. Water is dark brown-black with white dashes throughout; shoreline is dark red-purple with white spots throughout. Along the bottom edge of the print the edition number, a syllabic inscription and date are written in pencil. Diamond-shaped blind-embossed stamp in bottom left corner.

Stonecut print of two geese and a nest. One goose, done in black, is standing overtop the nest; second goose, done in dark brown, has its back turned to the first and its head bent to the ground. Both have their wings spread. The nest has three eggs in it and is done in green and yellow; ground done in same colours, with white spots throughout. Along the bottom edge of the print the edition number, a syllabic inscription and date are written in pencil. Diamond-shaped blind-embossed stamp in bottom left corner.

Grey stone carving of a standing woman with very long braids. She has oval-shaped eyes, a thin nose, incised eyebrows, and pronounced, frowning mouth. Hair is carved in low relief. Deeply incised lines down her braids, imitating interlacing hair strands. Woman is wearing an amautiq (parka), with high side slits. The back is pinned up. Her hood is down, with trim done in relief. Hood covers opening of a large pouch hanging from shoulders, that extends down her back and protrudes outward. Curved lines across the forearms of her parka. Chest carved in relief, with braids draping overtop. Feet are shoulder width apart, arms are held straight at her sides. Underneath her parka, she is wearing a pleated skirt and tall boots. Artist signature, in syllabics, and disc number on bottoms of feet.