Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow, embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are almost identical in design and colour. Each side has a rectangular centre design panel embroidered with diamond shaped motifs outlined in black, some embellished with mirrors; the centre panel is outlined in dark yellow stitching, a row of mirrors interspersed with embroidered bars, and an edging of black “braid” made from dense bundles of black thread that are laid and couched at wide intervals. There is a pompom made of cotton thread at each corner. The pouch is lined with red printed cotton gauze.

Embroidered, rectangular textile panel, heavily stitched in soft colours with cotton and silk thread on red cotton fabric. Very little of the background textile shows through the dense stitching. The design consists of rows of large circles, separated by narrow bands of black and yellow diamond motifs. Mirrors are incorporated into the design motifs. Three edges of the rectangle are finished with five rows of multicoloured (teal, light blue, magenta, chartreuse, green) cotton binding (machine stitched). One long edge is raw, with the remnants of machine stitches where something has been removed. One end of the panel has a border motif of circles, mirrors and diamond shapes. The embroidery is underlined with scraps of multicoloured textile.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow, embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are similar in design and colour, but one side is more heavily embellished than the other. Each side has a rectangular centre design panel embroidered with diamond shaped geometric forms and mirror work; the central panel is surrounded by yellow, green and white motifs worked in detached interlacing stitch. The designs are bordered with rows of yellow square chain stitch and a black “braid” made from dense bundles of black thread that are laid and couched. A tassel made from thread is sewn at each corner. One red glass bead is sewn on one side, at the lower right of the design field. The pouch is lined with off-white cotton muslin.

Small, flat, rectangular, multi-coloured pouch made by folding a long, narrow embroidered panel in half crosswise and stitching up the long sides, leaving one narrow end open. The embroidery is so densely worked that almost none of the background textile is visible. The two sides of the pouch are almost identical in design and colour. Each side of the pouch has a rectangular centre design panel embroidered with diamond shaped motifs and mirrors, worked with multi-coloured thread, outlined with black, on red cotton muslin; the central panel is bordered with a row of mirrors that are outlined with metallic thread and set between rows of black “braid” made from dense bundles of black thread that are laid and couched. Closely-spaced, faded red pompoms are sewn into the side seams. At the open end of the pouch is a casing made from grey-green cotton fabric. The pouch is lined with dark green cotton fabric.

Large, square, embroidered wall hanging, featuring multicoloured representations of the elephant-headed god Ganesh, female human figures, birds, rats and flowers, worked in chain stitch with multicoloured silk or rayon thread on cotton muslin. A large, square field of dark brown muslin in the centre of the piece is divided roughly into four quadrants, each containing an identical scene of Ganesh seated under an umbrella, within a shrine, and attended by two women bearing flowers, several birds and a rat. In the centre of this field is a decorative strip of various designs, representing women, male figures mounted on horseback, peacocks and mandalas or sun symbols. There is a 3-tiered border (18.5 cm) of red muslin, embroidered with flowers, triangles and wavy lines, surrounding the main design field on all four sides. The hanging is underlined with dark brown cotton muslin. Loops made from brown cotton textile are sewn on at all four corners. Some of the block-printed embroidery guidelines are still visible.

Man’s long, narrow, rectangular scarf or sash, heavily embroidered with multicoloured geometric and floral motifs and many mirrors. Arranged along the length of the scarf are sixteen square and rectangular blocks of embroidered designs, consisting of a variety of motifs, many different kinds of stitches and two styles of embroidery (kharek and pakka). The embroidery is so dense that it completely covers the background textile. The blocks of embroidery are separated by black “braid” formed from bundles of black cotton thread which is laid and couched with red thread. There is a border of silver and gold mirrors along all four edges, and the ends are embellished with green and pink beadwork and small red-orange silk tassels. A binding of dark green cotton muslin is machine-stitched along the outside edges. The underlining is pieced from plain and printed cotton and rayon(?) textile in various shades of red.

Small, flat, square, embroidered envelope-style bag, detailed with mirrors and pompoms, made by folding and stitching together three corners of a flat, square panel to form a pocket, with the fourth corner left open to serve as a flap or cover. The square-shaped embroidered motifs, formed from bars of satin stitch outlined in black, are grouped together into larger squares that are arranged in a grid, separated with narrow bands of alternating mirror-work and floral designs that form an X on the back of the bag. The square is bordered with mirror-work, alternating with floral designs. The embroidery is so dense that it completely covers the background textile. There are glass beads sewn onto the seams, which are worked in fine interlacing stitch. Small pompoms and glass beads are stitched to the lower corners. At the intersection of the three corners is a small white button, embellished with small coloured glass beads. The embroidery is underlined with red cotton textile that is printed with multicoloured designs.

A gold-coloured figure (part a) in crawling position with a couch, clothing, and ornaments. The couch is covered with a red velvety fabric and has a pattern of silvery sequins in between a diamond-shaped mesh pattern with silvery diagonal lines and a gold-like rim. The couch has a base (part b), a back (part c), and two side pillows (parts d and e). Two ornaments (parts f and g) have a pink-red velvety fabric pentagon with a sequin in the middle and a lace rim which are attached to a silvery-gold lined stick. There are two robes; one is green (part h), and one is orange (part i). There are two fans; on is larger and is blue (part j), and one is smaller and is green (part k). There is a small silvery wand (part l). There are three hats; one is green with a fan on top (part m), one is orange with a pink tail (part n), and one is blue with a yellow tassle (part o). There is a bouquet of three pink flowers (part p). There is a headdress (part q). One flat piece (part r) has a curtailed fan-like shape with rows of beading in the centre outlined with gold sequins. There is a small silvery bracelet (part s) with two links. There is a beaded necklace-like ornament (part t).

The first piece (part a) has a conical drum at one end with a wood shell and a skin membrane. There is a long stick along which run metal wires attached to wood tuning screws, thirteen small ones and two large ones. The second piece (part b) is a long curved bow with the bowstrings made out of hair tied at one end with white string and tied at the other end with strips of blue and white, and yellow fabric and grey-blue yarn. On the side tied with white string, there are three metal bells attached with blue-grey yarn.

The square wood frame base (part a) is painted white with a roof-like top and a square protrusion in the middle. The front sides are decorated with a triangular pattern of alternating triangles of black, red, blue, and yellow on the outer side and glass-mirror triangles on the inner side. The wood swing platform (part b) is painted white with two metal eyes (to be hooked and attached to the frame base which also has two metal eyes) on top. The mirror-glass piece (part c) is a triangular shape with the top corner cut off, and it is detached from the top side of the frame base. The taller figure (part d) is standing with its legs crossed and it is playing a flute-like instrument. The shorter figure (part e) is standing with its legs side-by-side with its right arm pointing upward and its left arm pointing downward. Both figures are wearing a headdress and ornaments. One gold-like metal chain (part f) is worn by the shorter figure (part e).