Mask depicting a fisherman (?) with an ovoid-shaped dark red face, black hair and arched brows, a small nose, large eyes each with a crescent-shaped hole beneath, flat-surfaced ears that angle outwards, and a red mouth with downturned corners. Yellow and black alternating curved lines on cheeks and nose. Small hole drilled through inner edge of ear on both sides.

Mask portraying Buta Sanniya (which represents derangement, distortion and listlessness of limbs) with a pink face that has arched eyebrows, semicircular eyes with crescent-shaped holes underneath, flared black nostrils, a mouth with upturned corners and a philtrum that points downwards. Three white lines on each cheek follow contour of the mouth corners, and the mouth and chin are outlined in white. A strand of twine is knotted through small holes on either side of the mask. The words "Buta - mad" are written in ink on the inside of the mask near the right eye.

Small, wooden humanoid mask painted in glossy dark green. Rounded forehead, black painted eyebrows. Large white painted eyes outlined in red with large black pupils; the plane of the eye socket slopes sharply backward and the eyes are bulging out of their sunken sockets. Slits for vision under the eyes, small bulbous nose with red nostrils; black beard and moustache of applied fabric, possibly wool. Open, downturned mouth with red lips; applied upper teeth cut from a single piece of plastic tacked to back of mask with the words "Perfumed Talc 100 gm" printed on back. The jaw is movable and affixed on either side with wire and red cord threaded through small holes. A fabric cord of red and dirty white is tied through each eye slit to attach mask to head of wearer. The mask appears to have an undercoat of orange paint. At the rear of the mask at the top is written in pencil, "abata undness".

Mask representing a tamil man ? with the face painted black, slightly bulging eyes with red rims and a crescent-shaped hole under each, a mouth with upturned corners, four teeth, and a large bottom lip that protrudes over a very small chin. Very small ears at either side of the mask each have a red centre and a hole through which is threaded a multicoloured fabric strap. The words "tamil man" are inscribed on the back near the top in black ink.

Mask depicting a humanoid face, painted dark green with a large red mouth that takes up roughly half the mask, and with large whitish teeth and curving fangs. High arched eyebrows with a lotus petal design protrude at the top, and the mask also has bulging white eyes with large black pupils that each have crescent-shaped slots beneath them. The nose is large with exaggerated open nostrils. A piece of string is attached at the back.

Rectangular bell with two protruding side pieces at the top. Looped handle at the top of the bell is threaded through a hole in the side and is secured with a knot. There are three cylindrical clappers held by a shaft of wood on the inside of the bell.

Model canoe with outrigger to one side (part a) and paddle (part b). Edges and bars of canoe are painted black. Handle of canoe paddle is black.

Hour-glass shaped drum with round skin top and bottom strung together with brown fibre(?). Red, black, and natural wood stripes around the body.

A Gara Raksha (demon) mask. The mask is comprised of a face (part a) and two detached ears (parts b-c). All three parts are painted green, red, and white. The mask's eyes are cone-shaped, and protrude dramatically away from the face. Underneath each eye is a crescent shaped hole which allows the wearer to see. The mask's nose is pointed, with a bump on the bridge and two large nostrils. Its large, red mouth is filled with teeth, and two curved tusks that extend outwards from either corner. The mask's bottom jaw is secured via string, allowing the mouth to open and close. Three cobras with flared hoods extend upwards from the top of the mask. The one in the centre is the largest, and extends from the mask's forehead. The two smaller cobras extend from each of its temples. Around both of the mask's eyes and across the bridge of the nose is a decorative pattern comprised of round, elongated shapes. The mask's ears (parts b-c) are round, concave discs with lotus flower motifs painted on. There is a small hole in the centre of each disc, and a wooden peg extends from a point on the outer rim. When attached, the ears flare outwards from the sides of the mask's face. The back of the mask is unpainted. A braided rope and piece of thin cloth are tied through small holes in the mask, in order secure it to the wearer's face.

A mask depicting the anabera kolama (drum messenger), a figure in kolam popular drama. The mask is painted yellow, with red, black, and white details. Its hairline is outlined in red, and the wood above the hairline is unpainted. The mask's red-rimmed eyes protrude slightly from its face, and are shaped like half-moons. Underneath each eye is a crescent-shaped hole which allows the wearer to see. The mask's nose is prominent, with a downward curve and large, hollow nostrils. Its red mouth is open in a large, toothy smile. Forehead creases are carved into the mask, and outlined in red. Its eyebrows are painted in black. The mask has a full moustache and long beard, which are fashioned from strands of jute. The jute is knotted to a piece of string, from which it hangs. The string is tied through small holes in each of the mask's ears in order to affix the beard and moustache to the face. Some of the jute in the beard has been twisted together in order to create thicker strands. There are two small holes above the mask's ears, and one at the top of its head, but the material used to secure the mask to the wearer's face is missing.