Large, off-white, light-weight cotton muslin robe cover. Very long length and sleeves. Unfinished seams. Roughly made.

Strands of slightly irregularly sized human bone beads are threaded on a thick string with carved "medallions" of bone dividing the strands into lines of two, three, or sometimes four. There are fourteen square "medallions", one diamond shape, one pointed oval, and one five-sided piece. Carved decorations include dots, flowers, spirals, and human figures.

Sash composed of woven wool with lengthwise bands of orange, dark red, medium red, blue-black, and off-white. The centre band is composed of black with two rows of short vertical stripes. The ends are twisted into strands with a knot near the end of each.

Copper-coloured metal teapot with a short reverse curved spout, a tall neck, handle, and ornate with finial attached to the handle with a metal chain. Handle and spout are both ornately cast with crisscrossing, scrolling patterns and a boar-like head on the handle. Decorative metal trim rings the neck and lid in several places. Handle, chain, finial, and ornamentation around the spout and neck are executed with a brass-coloured metal.

A metal ring with a round green turquoise stone set in a low-grade silver setting. The design of the setting includes small bosses around the bottom edge surrounding the turquoise setting and a cluster of slightly larger bosses at each side of the ring along the rope-like bands. The band is adjustable.

A pair of earrings (parts a-b), each with a red coral bead set into an elaborate low-grade silver setting. The settings consist of large heavy loops incised with designs. There are two empty mountings on each setting where other stones may have been set. The coral beads are fixed to the setting with wires which are attached through holes drilled through the beads.

A large ring consisting of a square blue-green turquoise in a roughly worked setting of low grade silver. The design of the setting includes small bosses around the bottom edge surrounding the turquoise setting and a cluster of slightly larger bosses at each side of the ring along the rope-like bands. The band is adjustable.

Printing woodblock depicting the Four Heavenly Kings, each holding a stūpa, umbrella, sword, or pipa (stringed instrument), with the Bodhisattva in the middle. Background of clouds and mountains and halos around the heads of all five figures. On back is a torn label reading '59'; number 3944 written in black ink.

Long rectangular wooden block with rounded edges and areas carved out to make moulds. Tibetan astrological calculation chart/diagram, carved on both sides, according to the Kālachakra calendar system with elements, such as the twelve Tibetan zodiac signs, nine Mewas, weekdays, and eight Parkhas.

Three-headed, six-armed female standing on a round lotus base. Each hand except one holds an attribute. These are: a rosary (?); lotus bud; holy water jar; leaf; and nail (?). Primary hand on the left is empty. Each head wears a crown. Scarf draped around shoulders; narrow sash at waist. Bracelets, anklets, and necklaces are worn. Part of crown on frontal head is broken off.