Bee mask. Slightly rounded white forehead has black U in upper centre, black triangular-like form with red ovoid outlined in white at lower centre; curvilinear dark purple-red and red lines above curved black brows; yellow orbital areas are joined by a thin line in dip between forehead and bulbous protruding snout; circular hollow protruding white eyes outlined in black; snout has black centre and outline, yellow and white crescentic bands around red hollow nostrils, five holes in snout, three in the centre and one above each nostril, four have the remains of 'stingers'; curvilinear black lines emphasize cheek contours and narrow flat upturned chin; white and dark purple-red bands also emphasize chin. Cut cedar bark, tied with white cord, and nailed to upper rim; cedar bark lengths are folded around an orange-pink folded cloth nailed to the upper rim; white string and red cloth are twined through the cedar bark lengths; dark purple-red cloth is nailed to upper rim beneath cedar bark, two seams with greyish material on either side. On reverse, string passed through two holes in upper rim, looped and knotted through a hole in each temple, black string is knotted to string from temples and to a piece of thick black rubber.

Bee mask. Rounded forehead has split U forms, yellow with black splits at sides, partially covered by cedar bark, vertical series at centre has black and red- brown with white and a solid black U; curved thick black brows with ends curling towards side rims; white temples with black and red U forms; small orbital area, base of protruding circular hollow eyes and base of snout between eyes are yellow; black and white bands around top of eyes; bulbous protruding snout has black triangular design at top and bottom joined by a narrow band, cluster of five drilled holes, four with remains of 'stingers'; white, yellow and red crescentic bands around hollow circular nostrils; defining line on cheek melds with orbital ridge; white cheeks have crescentic black line varying in thickness; series of twelve U forms along mouth ridge, white and yellow lines around red lip band, rounded upper lip and pointed lower lip; yellow triangular upturned chin. Cut cedar bark, tied with white cord and folded around a folded piece of orange-pink cloth that is nailed to the upper rim; brown cord is loosely twined into cedar bark 2/3 from top rim. On reverse, a single green cord is passed through two holes at upper rim, looped and knotted through a hole at each temple; white cord binds green cord at upper rim; hole in bottom centre of chin.

Large, carved, wooden, raven hamatsa mask with a long beak and an ovoid shaped ridge for a nose. The beak is hinged with pieces of rubber nailed to either side. The beak is painted black with a red mouth and circular cutout nostrils. At the back of the mouth are two s-shapes. Around the nose is a red ovoid and U-forms. The eyes are white, outlined in black on a white, ovoid shaped background; brow is black. The inside of the mask is hollow with the exception of twine used to open and close the beak along with a fibre head ring. The top, side and bottom edges of the mask are lined with braided cedar. The top has short pieces of cedar creating a fringe, while the back has longer strips that hang over the wearer. The underside of the mouth is painted black with a small white design. The mask is painted black, red, and white with Northwest Coast stylized designs.

Traditional shield-shaped whole copper with a T-shaped raised design element that divides the bottom section in half and separates the top section from the bottom. The top portion has sides that flare outwards and a curved top edge. The top portion has a flat border surrounding a convex area decorated with a face. The drawing of the face and a series of parallel lines on the lower portion of the copper have been engraved through a blackened (lead) surface to reveal the copper underneath.

Basket with plaited base. Sides are plaited in a twilled weave with crossed and braided (over splint) border at top. Twilled row separates side from base. No external decoration.

Hat with sloping brim and flat crown with slight indentation. Several different kinds of twined weaves: brim - mixed twined weave, i.e. Plain-twined weave with a 'skip stitch' (also known as diagonal-twined weaving) which gives a chevron twilled pattern. Border is a braided cut-warp border. Crown - sides of crown are woven in three-strand twined weave with top of crown in concentric band of three-strand interspersed with plain-twined weaving. Inner support section - diagonal-twined weave. Warp and weft; design painted in red-brown, green and black paint. Expansive and representational.

Carved wooden, crooked beak mask. The beak has red and white, ovoid shaped, cutout nostrils outlined in black and white. Running from the brow is a large, protruding, central black and white circular frill that projects upwards and curves downwards to the middle of the beak; detailed with repeating black and brown u-forms. The mouth is red, flat, wide and protruding. Behind the beak are two large, brown u-forms carved in relief. The underside of the beak is detailed with a bird figure with painted facial features and a circular beak that projects out then curves into the middle of the mouth. The bottom parts of the beak are hinged with rectangular pieces of leather. The eyes are black, outlined in white and red on a white ovoid shaped ground; the brow is black. Behind the eye are two red and white u-forms. The inside of the mask is hollow with the exception of pieces of fibre twine to articulate the beak. The top and sides have cedar braids and small bundles; longer strips hang down the back. Attached to the top are two triangular-like shaped ears with circular tips. The mask is painted black, white, red and brown with Northwest Coast stylized forms.

Headdress with a frontlet with a bear design, painted blue around eyes, red mouth, fore and hind limbs, inlaid with abalone shell pieces. Abalone around bear, and extra row at each side. Headdress has sea lion whiskers at top, and ermine skins around head. Long cape with ermine pelts at back. Red cloth or black fibre, tied to some skins.

Warrior dance knife, or baton in the form of Sisiutl. Central front-facing head with two upward and outward curling horn-like appendages at the top and a profile head on either side, each of which has another upward and backward curling horn-like appendage at the top. Each profile head has a red tongue that protrudes outward at a slight upward angle. Painted black, red, and green.

Large dance screen with black designs on natural coloured ground. The screen is made from four irregular shaped pieces sewn together. In the centre is a raven motif in profile with open beak, tongue visible, wings and legs spread. The tail appears unfinished. The motif is painted in black with a lighter, oily paint spread into the fabric beyond the black outlines.