Chilkat style robe with woven designs and fringe. The design is a three panel distributive. In the centre is an ancestor face surrounded by a diving whale (?) motif. The side panels continue the diving whale motif. The design is yellow, blue and black on natural ground. The two bottom corners have a checkered pattern in black and yellow, associated with the identity of the weaver. There is a long twisted fringe on three sides of mixed wool and cedar bark.

Hardwood rattle. Two complementary parts in from of a raven. The raven’s body is strongly curved, and its wings are folded; an unusual triangular pattern marks the tail. Reclining figure on a raven's back – likely a shaman, indicated by the prominent ribs. The whole is dominated by the long, serrated forms extending upward from two small side-by-side faces on the raven’s chest, reaching over the raven’s breast and into the hands of the human. On the raven’s belly is carved the stylized face of the supernatural being, with a small humanlike face below emerging from beneath the raven’s feet, a representation of the bird’s cloaca. Tied together with brass wire. (Interior likely holds pebbles, beads or lead shot.)

A three-part steel lock. The first piece (part a) is the modern steel lock, #F21, master lock co. The second piece (part b) is the locking bar for the lock. The third piece (part c) is the key on a key ring that has a brown quadrangular-shaped label with two green-painted characters on one side while there are two black-painted characters on the other side.

A three-part steel lock. The first piece (part a) is the modern steel lock. The second piece (part b) is the locking bar for the lock. The third piece (part c) is the key on a key ring that has a brown quadrangular-shaped label with two green-painted characters on one side while there are two black-painted characters on the other side.

Sandal made of light brown woven plant fibre. Knotted tie at top.

Replica gold weight in the form of a cast bronze bird attached to a wood base. The bird is a rooster with its head turned backward toward its flat, upward pointing tail that is perpendicular to the bird's beak. The triangular wings that have incised lines are open and pointing slightly downward at either side. On a pyramidal shape with a circular pedestal that is vertically grooved around the edges. The figure is attached to a square, stepped wooden base.

Brooch made from a contemporary reproduction of an Akan style cast gold weight. The brooch is in the shape of a ceremonial sword, which has a pin attached to the back. While both the cross-guard and the pommel are rounded, the latter has a point at the tip end. From the base of the blade near the handle to the tip end that curves upward, there are the following: a concentric circle, two cut out circles, a cut out x-shape, a cut out large circle, and three cut out small circles. Three protrusions extend from the bottom base end while the curved tip is grooved at the centre.

Silver spoon with engraved bowl and totem handle. The handle has two small stacked animal figures (bears?) with raised snouts, with a fish along the handle below. 'Sitka' engraved on the back of the bowl.

Silver spoon with engraved totem handle. The handle has two small stacked animal figures (bears?) with raised snouts, with a fish along the handle below. 'Sitka 1899' engraved on the back of the bowl.

Silver spoon with engraved bowl and totem handle. The handle has two small stacked animal figures (bears?) with raised snouts, with a fish along the handle below. The bowl has a single fish with its head down engraved. 'Sitka 1903' engraved on the back of the bowl.