FROM CARD: "[Formerly] ON EXHIBIT IN NHB HALL 9, IDENTIFIED THERE AS CENTRAL ALGONKIAN. LEDGER LISTS NO PEOPLE OR LOCALITY INFORMATION." Thunderbird design. Northwest Coast location/attribution on catalogue card is in error, if this is indeed Central Algonkian.

FROM CARD: "SECTION INCLUDING ALL LOWER RIGHT QUADRANT AND PART OF LEFT QUADRANT MISSING; HOWEVER DESIGN CAN BE DETERMINED WITH REASONABLE ACCURACY FROM EXISTING PIECE. LINEAR BORDER SURROUNDING OUTSIDE OF ALTERNATE RED AND SIZE MARKING PARALLEL LINES; EXTENSION INTO HEAD AREA OF PARALLEL LINES OF SIMILAR CHARACTER. LARGE CENTER AREA DIVIDED INTO QUADRANTS BY INTERSECTING BANDS OF RED LINES AND SIZE MARKINGS. WITHIN EACH QUADRANT IS COMPLEX MOTIVE CONSISTING OF A CIRCLE ('SUN SYMBOL'?) ELABORATED WITH DOUBLE CURVES; (EACH QUADRANT IS BILATERALLY SYMMETRICAL ON LONG AXIS). THE ENTIRE PAINTED DESIGN COULD ACCURATELY BE REPRODUCED IN A COLOR PAINTING FROM THE EXISTING FRAGMENT. THE PAINTED DESIGN MORE CLOSELY APPROXIMATES NASKAPI STYLE THAN PLAINS INDIAN PAINTING. PROBABLY FROM THE NORTHERN WOODLANDS - GREAT LAKES AREA - JOHN C. EWERS, JAN. 16, 1948." Artifact is illus. Fig. 2, p. 61 in "Ceremonial Robes of the Montagnais-Naskapi" by Alika Podolinsky Webber, American Indian Art Magazine, Vol. 9, No. 1, Winter 1983, and identified there as "Ceremonial robe fragment. Naskapi [Innu] ... Native tanned unsmoked caribou skin. 100.5 cm long, 63 cm wide. The large center area is divided into quadrants by intersecting bands of red lines and size markings. Within each quadrant is a complex motif consisting of a circle elaborated with double curves; and the circle itself is divided into four equal sections forming a cross." Possible meanings of the design are also discussed on pp. 67-68 in the same article.

From card: "Soft soled; beadwork floral design on red strouding over the instep; lined in flannel. Correct descriptions should be: People: Northeast Indians; Locality: Northeast Woodlands - W. Sturtevant Curator, n. Amer. Ethn. (4/85)".

FROM CARD: "SPLINT."

From card: "In two pieces (once one specimen); one being upper portion with sleeves; other lower portion; the two pieces fit together perfectly, to make a coat of generalized Naskapi style made of seven pieces of skin sewn together (1 each arm; 1 center back; 1 left side; 1 rt. side; (2 small pieces inset to back). Predominantly decoration is simple painted design in bands of red and size marking. All the latter is linear; red mainly straight lines, some wavy and some solid triangles, at top; also red dots in neck border. Red flannel or strouding edging top of shoulder seams, and arm-body seams. There is no collar, and neck form like that of a poncho Plains Indian shirt. [Culture listed as Algonkian on catalogue card.] Catlin did not visit the Naskapi, if this was collected by him in the field it was obtained most likely in the Great Lakes area. Possibly Ojibwa or Cree - John C. Ewers, Jan. 15, 1948." Identified by Morgan Baillargeon, Canadian Museum of Civilization, 2009, as possibly Montagnais?

FROM CARD: "BIRCH-BARK OVER LIGHT WOODEN FRAME; FALSE GUNWALES COVERED WITH FIGURED DESIGN. ROUND BOTTOM; ENDS ALIKE, SHARP, AND CLOSED ON TOP FOR 3 1/4 INCHES AT EACH END; RECURVED SHEER; 2 PADDLES. LENGTH 24"; BEAM 4 1/2"; HEIGHT, AMIDSHIPS, 2 1/2"; ENDS, 4 1/2"; PADDLES, 7 1/2". 2 HUMAN FIGURES, 1 SPEAR, AND 1 TORCH MADE AT MUSEUM FOR PURPOSE OF DEMONSTRATING "FISHING BY TORCHLIGHT", IN OLD HEATING-AND-LIGHTING EXHIBIT. TREATED AT CONSERVATION AND RETURNED 10/10/72 JRR."

Decoration includes floral quillwork.