Calendrical device carved from a long piece of wood with a rectangular body that is notched at regular intervals along the edges of both sides to indicate the days of the week (deep notches indicate Sundays) along one edge and weeks only along the opposite edge. The calendar is incised with symbols representing special happenings on certain days. The handle has a triangular finial, a heart motif cut out of the centre, and rounded sides that taper to a narrower neck.

Model of a clog almanac carved from a rectangular piece of wood with 12 to 14 larger notches carved into each edge with six smaller notches in between each larger notch. A metal eye hook is inserted into the centre of one end.

Bowl with rounded sides and raised foot ring. Exterior decorated with a landscape of trees, temples, birds, and people crossing a bridge. Transfer printed. All blue on white. "blue willow" pattern. Blue Minton's stamp on base.

Small glazed vase with narrow neck and opening. The glaze ranges from beige to dark brown, with the dark brown toward the shoulder and neck; the glaze extends inside to cover the opening. The base is mostly unglazed. The vase has been slightly flattened to form three sides; each side has thicker lines of beige on it. Unsigned.

Square ceramic tile with pomegranate motif carved in relief across front. Surface is glazed. Background is painted black, with a green tint. Three large pomegranates are growing from curving branches, that extend from top edge of tile. Leaves and offshoots, from same branches, decorate rest of surface. All are coloured dark green. White marks throughout design, highlighting veins in leaves and stem remnants on pomegranates. Five vertical ridges on back of tile. Manufacturer’s mark, Maw & Co., stamped between ridges.

Square ceramic tile with floral motif painted on front. Surface and sides are glazed. Background is off-white. Plain yellow border along edges, next to thinner band with black dots throughout. Central design of an ornate vase full of flowers. Vase has a wide opening, rounded shoulder, tapering base and flared foot. It is off-white and decorated with yellow, black and purple-red bands full of linear, geometric and curvilinear motifs. Three large hibiscus flowers extend from the vase, towards the top of the tile, and the left and right sides. Flowers are white and dark purple-red, with yellow centres. Offshoots of leaves, berries and smaller flowers fill rest of space. Most are done with black stippling, with larger leaves painted green and dark purple-red near the top. Raised grid across entire back of tile. Handwritten inscriptions on back.

Square ceramic tile painted dark teal with different designs overtop. Surface and sides are glazed. Entire background is dark teal with black dots throughout. Light blue quarter circles in each corner, with scalloped edges and curvilinear motifs inside them. Motifs done in white and light yellow. Small white and light blue flowers, with yellow centres, across surface, with three large circles towards centre of tile. All circles have a black border, off-white background and central light yellow design. Circle towards the left side has a fish, with curved lines and dots in the background. Motifs are done in light blue, imitating water. Circle towards the top has a flower with multiple black offshoots. Additional light blue offshoots in background. Last circle, towards right side, has a flying crane with light blue stalks in the background. Raised grid across entire back of tile. Manufacturer’s mark, Mintons China Works, stamped diagonally between squares.

Baby puppet. Hand puppet of the Baby character, from a Punch and Judy puppet set. Head, hands and central body carved from wood. Visible wood components- head and hands- painted beige. Character has protruding ears, round cheeks and long button nose. Cheeks are rosy. Mouth is open and painted pink. Eyes are light blue circles with white dots in them. Baby has short red-orange strands of yarn for hair. Character is wearing a red polka-dotted dress and white bib, with lace-like trim. Dress has two rows of wavy blue trim along the bottom edge. Plain wood cylinder, that head is attached to, inside fabric body with rod attached to bottom. Metal ring along bottom edge of body opening. Operated by holding the rod inside of the puppet’s body.

Almost square shaped token; inscriptions on both sides. Obverse has Assoc.Con.of.Carrick. Within two rings; Mr/ T.R/ 1761 in three lines in centre; r small; ornamented; diff die from that used for Eg322. Reverse has "from./ Secession/ Ch of/Colmonell" engraved in script (by hand-later ?). Edges exhibit very little flash from cutting.

Almost square shaped token; inscriptions on both sides. Obverse has Assoc.Con.of.Carrick. Within two rings; Mr/ T.R/ 1761 in three lines in centre; r small; ornaments in corner. Reverse has "Secession/Church/ of/Colmonell" engraved in script (by hand, later ?). Edges exhibit flash from cutting.