Etching of a clear-cut landscape in black ink on off-white paper; vertical orientation on black background. Large tree is in foreground with a humanoid figure sadly looking up at it. Figure is holding a staff with two smaller figures wrapped around it. Background is filled with tree stumps; mountains and hills throughout. Mix of fluffy and dark clouds in the sky. All depictions in etching are made of formline design elements. Etching number, title, artist signature and date made written along the bottom edge; blind-embossed stamp in bottom right corner. Framed.

Drawing of a barren landscape in black ink and graphite on off-white paper; vertical orientation on white background. Ovoids, filled with formline design elements, are piled in centre of drawing with broken pieces around them; smaller ovoids are half buried in the ground nearby. In the background is a large pole with a small figure halfway up it. Figure has an ovoid-shaped head; face and body are made up of formline design elements. It is holding a decorated ovoid above its head; plain ovoids attached to top of pole. Artist signature and date made written in bottom left corner. Framed.

Drawing of a longhouse scene in black ink and graphite on off-white paper; horizontal orientation on white background. Figures are depicted dancing and drumming around a central fire; other figures sit and drum in bleachers along the back and left walls. Bleachers on right side of longhouse are empty; decorated side exit along back wall. All support posts within scene have large humanoid-figures wrapped around them; all figures are made up formline design elements. Artist inscription in top right corner. Framed.

Drawing of a humanoid figure in black ink and graphite on off-white paper; vertical orientation on white background. Figure has a large ovoid-shaped head with long hair and its tongue sticking out. Face and body are made up of formline design elements. Figure is crouched in water, with its hands raised, water trailing from its fingers; fingers are long and tentacle-like. Water has dark patches throughout. Artist signature and date made written in bottom left corner. Framed.

Painting of a diving killer whale overtop of a rectangular face. Whale is painted black and blue, with highlights of green, red and white. It is shown in profile. Male face, along bottom centre, is in frontal view, painted brown with red lips and green highlights over the eyes. Sun painted in the top right corner, background done in grey-green. Surfaces are unevenly painted. Signed in lower right corner, “C.B. Greul 1959”. Painting is framed, and has work information written across back. (Hanging hardware on back.)

A mixed media sculpture consisting of a Chinese-style blue and white ceramic plate with robotic prosthetics along the top and bottom edges. Plate has a concentric diamond pattern along border, with fruits designs inside curvilinear motifs throughout; cheek is undecorated. In the well, two robed figures are depicted standing on a terrace; sun, building and vegetation are in the background. Top edge of plate is partly squished by a triangular attachment from the top robotic prosthetic; attached to the main body with black cables. Both prosthetics are yellow with white stripes and grey panels. Top prosthetic has two silver-coloured jacks and two white, grey, and black blades extending from the left side. Bottom prosthetic has a black grill with two silver-coloured vents. Edition number painted on front of bottom prosthetic; artist signature and date made on back.

White ceramic sculpture of five upright baby-like standing figures, all facing the same direction, in a row. The first four are front sides, the fifth is the backside of the figure. All five stand on a raised base. Made of white clay with a clear glaze, however the base has some black on the side.

Birchbark model canoe with wood gunwales, quill line decorations on bow, stern, and centre sides. Maple leaf decal at one end. Inscribed "Vancouver, B.C." on same side.

Photo-based work showing a section of the Museum's Great Hall in 1991. Image shows poles and house posts installed around the front area windows of the Great Hall (visible: A50019, A50001, A50006, A50036; partially visible: A50020, A50037). The outdoor exhibit area with the Haida House and Mortuary House are partially visible through the windows. Photograph is framed with white painted wood and plexiglas.

Photo-based work showing a section of the Museum's Great Hall in 1991. Image shows a large house post figure with slave figures crouched in front of it (A50009 d-f), as installed in the Great Hall. Photograph is framed with white painted wood and plexiglas.