Framed rectangular panel with imagery on both sides: two birds on the wing and a flowering branch painted on one side; eighteen lohan monk figures carved in relief, painted, and applied over a painted garden scene on front. Wooden stand (part b) with carved and painted, curvilinear and floral designs.

A three-legged incense burner (part a) having the shape of a bowl. The two handles on the burner (part a) has stylized dragon decoration on two sides with a loose ring on each. The three legs of the burner (part a) has t'ao-tieh figures. The stained wood lid (part b) is stepped and rounded with a ball knob at top centre and a notch cut out at each side to accomodate the handles of the burner (part a). The stained wood stand (part b) is triangular in shape and has a curled design. Dark brown colour.

Monochrome peacock blue glaze ewer in form of a thin peach. Handle and spout is in form of branches and leaves, fills from the bottom.

A vase (part a) that is square in cross-section with round base and neck. Panels of "pa kua" or trigrams in relief. Thin yellow glaze. With wood stand (part b).

A ceramic bell. Thick transparent green glaze, gathered at the rim. Bell has molded geometric decoration with dots and diagonal lines. There is a handle at centre top.

Full length male figure (Confucius) in red lacquer (part a) carved details and symbols. (Part b is the wood stand, in storage.)

Ivory-coloured ceramic Buddha figure (part a) with thin glaze. He has no hair. He has big ears and a smiling face. He is sitting with his right leg crossed in front of him and his left leg bent out in front. He is holding a string of beads with left hand which is resting on his left knee. With wood stand (part b).

A rectangular seal block with a large lion and two cubs to its right on top. There is a ball inside the large lion's mouth. Inscribed with a quotation from the artist on the sides. Brown with light streaks. Seal is on the bottom with the characters in relief.

Small vest with embroidery. The vest has a rounded neck and centre front opening with no closures. The embroidery encompasses the entire front and back. On the centre front and back, facing left towards the red sun, is a paradise flycatcher denoting a civil ninth rank official. Surrounding the bird are cloud, wave, bat motifs and the Eight Buddhist symbols of Good Fortune. Along the bottom hem is a gold meander border on black ground. The inside lining is blue silk.

A bottle-shaped vase (part a) with one central neck and four others clustered around it. Oxblood red glaze. With circular wood stand (part b).