Religious painting on a rectangular piece of tin with large scalloped edges. In the centre is an image of Mary standing above thirteen kneeling figures (probably saints or religious leaders). In the upper right corner is a small image of Jesus. Inscription written in church Slavonic.

Body of a four-legged animal (horse?) sculpted in relief. Fragment of a larger piece.

Lamp on stand, made of course grey clay with a white slip. Round body, open bowl with overhanging rim. High circular stand with flare at foot and coarse projecting ridge at top. Base deeply concave.

One-wick lamp in the shape of a bird with a circular base. The bird's tail forms the long nozzle and there is an oval filling hole at the centre of the bird's back.

Fragment of a larger object. Grey, clay figure depicting a man's face with a protruding beard, on a square background. The hair, brow and face are carved in relief. Back is concave.

Red clay, hollowed figure, consisting of a votive offering in the shape of a life-size, human male, left foot sitting on a clay base.

One-wick lamp with an elongated spout that widens slightly towards the tip and a rosette ornamenting the teardrop-shaped handle. There is a small loop on one side and two larger loops at the top back of the body with a larger filling hole at the top centre.

Lamp with a round body as viewed from the top, and a long projecting nozzle with an overall red slip. Decorated on the top of the shoulder with radiating ribs and a lion head in bas-relief on one side. There is another design in bas-relief on the opposite side, but it is unidentifiable.

Interior has two cranes in flight and three cranes on a pine tree branch. All in gold on black ground with mother of pearl inlaid into knot on branch. Three characters in gold on lower left of interior.

Spoon carved from a single piece of bamboo cane. Handle has a flat surface; bowl has flat sides.