The rivet is copper ore.

Family crests are displayed on carved wooden plaques attached to dance headdresses. These have a long trailer of ermine skins and a crown of upright sea lion whiskers. This whisker "fence" holds eagle down, symbolizing peace, that cascades out as the dancer bobs his or her head. This gives the name Feather Dances to the Tlasula.

This headdress was worn by George Hunt's daughter-in-law, Tlakwagilayookwa (Sara Smith Hunt, later Martin) who played Naida, in Edward S. Curtis' film In the Land of the Head Hunters, 1914.

The copper theme is a favorite with Kwakwaka'wakw artists. Representations of coppers are used as grave monuments, housefront paintings, and other objects, including button blankets. The button blanket is the traditional ceremonial blanket of the Kwakwaka'wakw. The general form is fairly uniform, with variations in the figures represented and in the details of the border designs. Most have as foundation a dark blue blanket, but green is not uncommon. All the materials in button blankets are products of trade. (Holm, Crooked Beak of Heaven, 1972)

The cloth is wool, blue, and red. The cloth is cotton. The cloth is cotton and white. The felt is red. The button is plastic. The sequin is red, green, and white. The bead is blue. The bead is white. The thread is white.

The paint is black, red, and green.

Portrait mask. Red, blue and black facial features and tattoo are painted onto the natural wood background. Abalone shell discs and a thin band are glued to the eyes and mouth and a thick coil of red bark rope is attached along the chin line. Long twists of dark hair and tied bundles of painted red bark strips with blue ends drape across the forehead and down the sides.