An undyed, coarsely woven cotton blouse with embroidered shoulders, chest panel, back panel, long sleeves, and cuffs. The embroidered designs consist of leaves, flowers, lines, and criss-cross designs. The design on the shoulders consists of multi-coloured leaves, and flowers created with blue lines and light purple hatching. The embroidery on the chest consists of one blue and one multi-coloured flower with multi-coloured leaves that have been bordered with red hatching (outside) and blue hatching (inside). The embroidery on the back consists of two blue flowers with multi-coloured leaves that have been bordered with red hatching (outside) and blue hatching (inside). The back also contains a sewn blue line that runs from the back embroidery to the neck opening above. The sleeves display a multi-coloured leaf and flower motif that is bordered with green hatching. The cuffs of the blouse are closed with black buttons and braided blue yarn fasteners. The embroidered design on the cuffs depict multi-coloured leaves and dark blue flowers edged with dark pink ribbon, light pink hatching, and an orange-red line. The separate strap (b) consists of purple-pink acrylic ribbon, and the ends have been sewn together with green thread that forms a loop. Looped into this green strap is a smaller braid of green and pink-purple that has been tied to form a second loop.

Undyed coarsely woven cotton fabric with embroidered neck panel, shoulders, bottom, and seam edges. There is a design of an abstracted bird, a symbol, and geometric imagery on the neck panel, the shoulders, and along the bottom of the garment. Most seams of the blouse have been sewn with a criss-cross pattern of red and brown. The edges of the sleeves have a red edge on the front and a brown edge on the back. The edge along the bottom of the blouse has been sewn with a criss-cross pattern of red and black. On the front of the blouse, under the left sleeve, is a wavy line of purple embroidery.

Undyed and coarsely woven cotton fabric with embroidered neck panel, shoulders, bottom, and seam edges. There is a depiction of an abstracted dog figures, a symbol, and a geometric pattern along the bottom of the blouse. There are two rectangles outlined in red-orange on either side of the neck with four vertical stripes of coloured embroidery. The colour scheme within the left rectangle reads as follows, from left-to-right: dark purple, green, light purple-pink, and yellow. The colour scheme within the right rectangle reads as follows, from left-to-right: light purple-pink, green, dark purple, yellow, and light purple-pink. There is a zigzag pattern in green and light purple-pink on the shoulders. There is also a thin vertical line of dark purple towards the ends of the sleeves. Two short horizontal rows of green and red-orange embroidery have been applied to the centre of the blouse, below the neck opening.

Very brightly coloured poncho, heavily embroidered with acrylic yarn and cotton embroidery thread, mainly purple and pink, with numerous other colours, on off-white cotton backing. Main design is a stretched oval running from the front edge to back edge around neck, embroidered mainly in acrylic yarn in an abstract star-like design. The negative spaces outside the circle are embroidered with smaller floral designs, a person and two birds. Poncho has a red and blue cotton collar added, with various types of lace and metallic gold ribbon sewn onto it. Sides are stitched except for small slits for arms.

A multi-coloured fiesta shawl made with a base yellow-white cotton fibre. The shawl contains two borders of embroidered animals, men, and men on horseback wearing triangular hats with crosses. Below the animals in the border is a broad stripe of multi-coloured, machine-stitched embroidery patterns. Both ends of the shawl have been finished with multi-coloured acrylic pom-poms. The animal imagery was drawn on the cloth with red pen and then these drawings were stitched by hand and with a sewing machine. The imagery on one end, from left-to-right: bird, dog, man with gun, animal, animal with antlers, animal, bird with elaborate feathers, bird, horse, man on horse with hat. The imagery from the other end, from left-to-right: text "Fin", man with hat, animal, bird with elaborate feathers, bird, dog, animal with antlers, dog, horse, man on horse with hat.

A woven rectangular bag with a strap. The design of the bag consists of a multi-coloured checkerboard pattern. Alternating rectangles have images of deer-like animals. The strap has been woven with two strips of alternating rectangles of dark green and light green.

Heart of the Sky God (Sotuknangu) Kachina Doll. Or sometimes referred to as the Star Kachina (Sootukwnang) Master of the Universe. Either way it represents a deity. This is a deity impersonated by elders in certain kiva ceremonies. May also appear in Powamu, Mixed Dances of springtime. Believed to control the dangerous thunderheads, lightening and destructive rain. He wears a peaked hat (with feathers) that represents thunderheads. He holds a representation of the expandable sticks in his PL hand that represent lightening. The PR foot is slightly raised as well as his PR arm and the hand holds a gourd rattle with a four point star on it. He has yarn ties on his wrists and the top of the carved and painted brown boots. PR hand has a rattle His body painted blue, wears a traditional white kilt and sash with a carved fox tail in the back and a leather bandolier with shells crosses over his chest and back. His mask is helmet style with the front painted white and the back green. Black slits with rain drops over them for eyes, hourglass forms on his cheeks and a triangular mouth. The edge of his headdress is trimmed with ruffled yarn. The ears are large red disks with turquoise bead earring loops. This Kachina appears during the Angk'wa, night dances) usually with a mixed Kachina group. In the dance he carries a bull roarer and expandable sticks to make lightening when he dances.

Crow Mother (Angwusnasomtake) Kachina Doll. Female figure carved from one piece of cottonwood root she leans slightly forward and holds both arms out carrying a bundle of sticks. Her headdress is large and dramatic with rayed feathers on either side of a bright blue helmet style mask with slender blue horns. The front of the mask has a large upside down, black triangle with a smaller one under it. Across the top and down the sides of the mask is a braided yellow and red yarn. There is a fur ruff around her neck. She wears a long dress made from cotton and trimmed with red and green yarn with a white braided yarn sash. She has a white, canvas mantle around her back and wears carved white boots. Crow Mother performs many roles and functions. She participates in the initiation blessings of children 10 - 15 years old, guides the whipper (punishment) Kachinas who are considered to be her children. Aggressive in temperament she is very active insuring that she will get attention and that her messages about the importance of the Kachina culture will be heard by the initiates. She appears during the Powamuya- purification ceremonies in February. Note the Kachina is portrayed by a man.

Giant (Chaveyo) Kachina Doll. Artist probably Henry Shelton. This Kachina is one of the ogres in the white ogre family. Carved from one piece of cottonwood root and painted light beige, he stands with both feet on the ground, knees slightly bent, PR arm raised and PL arm lowered. He has a snarling, fanged mouth with red showing inside, goggle eyes, black face paint with white swirls on the cheeks, and very large red ears. He wears a fur ruff around his neck and has a rayed feathered headdress. He holds whipping sticks in raised PR hand and a large sword with a swirled, snakelike design and feather tuffs in lowered PL hand. His kilt and boots are carved on. He wears a hide cape and has hide fringe knees and on the top of his carved boots. Prior to the Angk'wa (February night dances) the Ogre family appears in the village demanding food and game in large quantities. For about a week they appear going from house to house insisting they give. If not enough food is forthcoming they hoot, snarl and terrify claiming they will eat the children. Children are terrified. Everyone looks to see what they have done wrong to deserve this. The Ogre's are the reminders that everyone’s behavior is not good enough to live up to the high Hopi standards. They are the reminders to live the spiritual life. Once ridicule and punishment are over the ogres give a blessing and a social dance is held for healing. The Ogre family is forcibly removed from the village.