Mask of the character called Wonsoongie (Monkey). Oval shaped head with fur-like fibre surrounding its perimeter. Red face with circular gold cut-out eyes outlined in black. Long red nose and small bright red lips. Red cloth covering and ties are attached to the back of the mask and hang down. Mask backing is yellow and has a white label with printed red characters to one side.

Mask of Miyal Halmi (a spiteful grandmother) character. Round brown coloured face with white dots overall. White eyes, black eyebrows with white strips, bulbous nose and cheek bones, and red mouth. A black cloth covering and ties are attached to the back of the mask and hang down. Mask backing is yellow and has a white label with printed red characters to one side.

Mask of Somu (the flirtatious young woman) character. White oval shaped face with protruding black eyebrows, dotted outlined eyes with circular cut-out centres, large nose, protruding red lips, red circular cheeks, and black painted hair. Black cloth covering and ties are attached to the back of the mask and hang down. Mask backing is yellow and has a white label with printed red characters to one side.

Mask of Omjoong (the Itchy Buddist Monk) character. Dark brown face with diagonally placed green and gold striped eyebrows, gold slanted eyes outlined with black dots, red, green and gold circular wart-like protrusions around the nose and cheek, and a red mouth. Black cloth covering and ties are attached to the back of the mask and hang down. Mask backing is yellow and has a white label with printed red characters to one side.

Engine with two cars. At the front to the right of the train, there is a multi-coloured square sign. At the back to the left of the train, there is a green light post. The scene is on a convexly curved rectangular platform with a cylindrical base near each end.

Pair of woman's off-white felt slippers have black wool braid binding at the upper edge. There is also a red, green and black embroidered wool design on vamp and upper edge. There is a red, white, black and green concentric circle wool pom-pom on the vamp. A flat grey leather sole is glued on to the bottom.

Small cone-shaped doll with wool fibre stuffed inside body. Body is covered in woven cedar bark. Head is round, and doll has black coloured fibre hair that is tied in two braids. Doll has a skin headdress that is decorated with beads.

A large papier-mache bull mask with four smaller bull faces and a large red cape attached at the back. The large bull has two black horns with red tips curved outward and inward from the sides. The large bull is painted white, yllow, blue, red, and green. The smaller bull faces have two black horns with white tips pointed outward at a 45 degree angle upward. The eyes are cut out for the two smaller bulls which are in the middle side-by-side, and the eyes and the mouth are cut out for the smaller bull at the bottom. The smaller bulls are painted yellow, red, white, blue, and pink.

Papier-mache devil mask painted purple with two horns that curve at an angle upward and inward. Slanted upward at an angle, the red eyes are cut out, outlined with black and have brown hair for the eyebrows above. The red mouth is open and cut out with four red fangs, two above and two below. The mouth is outlined with black and has brown hair above for the moustache. The cheeks, the upward pointed ears, the chin and the cut out nostrils are outlined with black. A grey and blue cloth is attached with plastic cording.

Large, thick, rectangular rug, boldly patterned and so densely embroidered in chain stitch that the supporting textile (heavy black wool twill, glued to a layer of burlap) is all but obscured. The large design motif, which is worked with green, gold, pink, orange, and off-white wool thread, consists of circles and geometric shapes within a square frame. There are three of these motifs in the centre of the rug. A narrow edge of the black textile is visible, as a narrow border, at the edge of all four sides of the rug, and a layer of dark brown, lightweight cotton textile is machine-stitched to the back of the piece. All of the colours are faded, however, more vibrant colours are visible if the rows of chain stitches are pushed aside to reveal the unexposed surfaces that lie close to the supporting textile.