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Bottle2990/834 a-g

Fragmented bottle with partially burnished surface. Molded ceramic. Broken and partially repaired. Part a is the bottle base, slightly rounded; parts b-f are side fragments, curving inwards. Part g is a small side sherd.

Culture
Paracas
Material
clay and adhesive
Made in
Teojate, Ica, Peru
Holding Institution
MOA: University of British Columbia
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Bowl2990/592

Hemispherical grey-brown molded bowl fragment with flaring sides and rounded rim. Broad incised line on outer rim and crosshatching decoration on body. Broken and partially repaired.

Culture
Paracas
Material
clay and adhesive
Made in
Teojate, Ica, Peru
Holding Institution
MOA: University of British Columbia
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Bowl2990/591

Hemispherical domestic bowl with flaring sides and rounded rim. Molded manufacture. Broken and repaired.

Culture
Paracas
Material
clay and adhesive
Made in
Ica, Peru
Holding Institution
MOA: University of British Columbia
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Bowl2990/572

Hemispherical bowl with flaring sides, rounded rim and interior red-brown band. Burnished surface. Broken and partially repaired.

Culture
Paracas
Material
adhesive, clay and paint
Made in
Ica, Peru
Holding Institution
MOA: University of British Columbia
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Tapa Cloth3130/4

Small, rectangular tapa cloth adhered to a board of the same size. Patterns are geometric designs in black on the raw background. In the centre of the piece are three large images: the middle is a repeating geometric design surrounded by raw space with S-shapes, dots, wavy and straight lines, and thick black triangles. Next is a border consisting of triangular patterns, thick black lines and dots in the middle of the triangles. The next design includes 4-sided shapes and triangles made out of dots. Next there is a design with a raw space centre surrounded by wavy lines. The next image is repeated on both sides of the piece. It includes a circular image consisting of a flower in the centre, 4-sided shapes, wavy lines, on the four corners there are ¼ circles with triangles made our of raw-space squares. There is a border around the three large images that includes triangles made out of thick black lines. Next there is another border consisting of mirrored triangles, dots and short lines. The outside border includes a repeating deign of straight lines, wavy lines and triangular shapes.

Culture
Wallisian and Futunan
Material
adhesive, wood, paper mulberry bark and paint
Made in
Wallis and Futuna
Holding Institution
MOA: University of British Columbia
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Tapa Cloth3130/3

Small, rectangular tapa cloth adhered to a board of the same size. Patterning is black geometric designs on the raw background. In the centre of the piece are four-sided shapes with a black border. On the outside of this are three stacked triangles. From the centre point outwards the designs are mirrored on the long sides and later on the outside. The next design out from centre-point is a black triangle under another triangle. Topping this are two black motifs followed by three wavy lines. The next design has heavy black wavy lines and is in a triangular shape. Next there is a large section that includes diamond shapes, triangles, wavy lines and the use of blank space. Bordering the object is a narrow design with wavy thin and thick lines, including arrows and dots.

Culture
Wallisian and Futunan
Material
adhesive, wood, paper mulberry bark and paint
Made in
Wallis and Futuna
Holding Institution
MOA: University of British Columbia
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Tapa Cloth3130/2

Small rectangular tapa cloth adhered to a board of the same size. Patterning is geometric designs in black ink on raw, uncoloured background. Centre panel is made up of diamond shapes filled with a variety of patterns. Surrounding this are triangle shapes coloured rust-orange, along with densely patterned triangles. The tapa is bordered by a repeating motif of black and rust designs on natural ground.

Culture
Wallisian and Futunan
Material
adhesive, wood, paper mulberry bark and paint
Made in
Wallis and Futuna
Holding Institution
MOA: University of British Columbia
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Box3131/9 a-b

Oblong bentwood box with lid. Small box (part a) is made of a single piece of bark curved into a long rounded shape, around a wooden base, with edges connected by stitchings of leather. Several small nails attach the bark to the base. Bottom interior has remnants of paper that had been glued to it. Exterior shows very faded black and red linear designs and swirls across the surface. Lid (part b) is of similar shape and construction with adhesive attaching the bark to the wooden top. Design is a black dotted line around red and black leaf shapes and triangles.

Culture
Mi'kmaq
Material
birch bark, paint, metal, skin, paper, adhesive and wood
Made in
Canada
Holding Institution
MOA: University of British Columbia
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Stringed Musical Instrument3123/31

Stringed musical instrument. A long squared neck of wood, carved with several sets of diagonal lines, pierces the top of a round, hollow gourd, emerging as a short peg on the opposite side. Two long wood pins pierce the neck, each holding a metal string that stretch to make contact with a small wood bridge on the gourd, and extend to wrap around the peg. The bridge is glued to a piece of skin stretched over a large hole in the top of the gourd, attached with small wood pins. Gourd is decorated with carved lines in the shape of foliage.

Culture
Bamana ? or Fulani ?
Material
gourd fruit, wood, metal, skin and adhesive
Made in
West Africa, Africa
Holding Institution
MOA: University of British Columbia
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Cup3111/5

Polychrome cup with rounded base and straight, cylindrical body. Feline deity painted design in light yellow-white ground with elongated eyes, rectangular mouth with tongue outside, face whiskers and strings of disks hanging beside the head. Feline figure is holding a trophy head with its right arm, a stick with the other and is wearing a cape with five horizontal bands, and mice and plant designs in outer border. The middle band has black dots and the body has one elongated eye in the middle. Cream, orange-brown, grey, red-brown, orange, black, dark purple and light yellow paint. Molded manufacture; polished surface. Breakage repaired.

Culture
Nasca
Material
clay, paint and adhesive
Made in
Ica, Peru
Holding Institution
MOA: University of British Columbia
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