Striped, rectangular, woven wool poncho with a neck slit in the centre. Constructed of two rectangular panels sewn together in the middle. Weave texture is tight and un-patterned, with decoration consisting of a series of horizontal lines of varying widths in dark red, dark blue, black, orange, light beige, dark brown, yellow-brown, and light brown. The outer edge is a separately woven strip with red, orange, and light brown stripes, stitched on with light beige and red string. The edge has a short, uneven fringe made of red, orange, brown, and light beige fibres. Corners are rounded by folding back.

Wasa watana (hair tie). A hair tie that is made in a mixture of techniques: oblique interlaced bands with zigzag embroidery for the main band and woven bands made in complementary warp weave that intersect with the main band. Each end has two intersecting bands, and two of those also have intersecting bands. Each end has three tassels made of three bands. Most of the secondary intersecting bands are braided. Combination of techniques used: braiding, weaving and embroidery.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by adding intersecting warps that are woven as separate bands. Warp fringes. Each end has one intersecting warp band, which makes a tassel with three woven bands. Alpaca and sheep’s wool, finely spun.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. The added bands also have intersecting warps that are woven, but the two ends do not have identical numbers of bands. Warp fringes. Alpaca and sheep’s wool fibre. Spinning is fine and hard twist.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. Warp fringes. Alpaca and sheep’s wool, very finely spun. Each end has 4 intersecting warp bands.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. Warp fringes. Alpaca fibre, finely spun. Notable for the length of bands and fringe and the large number of intersecting warp bands.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by groups of intersecting warps that are woven as separate bands but are then folded and sewn to the main band near the ends. Tassels sewn onto the main band. Edging of small white beads on the edges of the main band and the tassels; the beads were threaded on the weft before weaving. Warp fringes. Alpaca fibre, finely spun, with wool.

Shoulder shawl (lliklla) made of two pieces that are sewn together at the centre seam.

A pair of non-identical wasa watana (hair ties) woven in complementary warp weave, and sewn together. Each has tassels formed by intersecting warps that are woven as separate bands, but each end of each hairtie has a different branching conformation. Both hair ties are edged with small beads, which were threaded on the weft yarn before weaving. Another complete hair tie with intersecting warps is folded and inserted between the non-identical hair ties and sewn in place. Alpaca and sheep’s wool.

Wasa watana (hair tie) woven in a complementary warp weave. Tassels formed by intersecting warps that are woven as separate bands. The added bands also have intersecting warps that are woven, but the two ends of the hair tie do not have identical numbers of added bands. Warp fringes. Alpaca and sheep’s wool.