Belt composed of a narrow warp-faced band with a grey-greenand off-white zigzag pattern running the length. Lenticular shapes fill the spaces on either side of the zigzag with a black border running along the edges. The unwoven warps at one end are braided and knotted. A tuft of light brown yarns are caught in the knot.

Horizontal ground loom (parts a-n) with a partially woven red textile attached to the wooden front beam by bright lashing cords (part b). The woven cloth has five pattern bands and four bands of stripes in red, white, green and yellow. The geometric patterns are of circles, diamonds, crosses and figurative patterns of birds and fish. Intertwined in the textile are numerous parts: cylindrical shaped shed roll (part m) is in position between two layers of warps and back warp beam (part n) holds the loops of the unworked warps. The shuttle stick (part c) is wound with red weft and is attached to the fabric. Heddle stick (part d) has green cord loops. Shed stick (part f) and (part k) are in position under threads in the pattern areas. Ground stakes (parts g-j) are loose as is the pick (part f) and the shed holder and beater (part e). A braided brown, black and cream alpaca rope (part a) is used to keep the loom and tools together when rolled.

Loom (part a) with partially finished belt, 10.7 cm wide, predominantly red, white and green. The design consists of three patterned bands with figurative and geometric motifs. Woven section lashed to loom bar and twisted warps loop over loom bar at the other end. Shed roll (part b) in position between two layers of warps. One heddle bar with string loops extends full width and two sets of string heddles are tied on the warps in the three pattern bands. The red weft is wrapped on a stick. Accompanying the loom are two roughly whittled and tapered pegs (parts b and c), a bone pick (d), six cylindrical pieces of wood (parts d,e,f,i,h,j) all of varying size.

Loom, consisting of a narrow warp-faced band partially woven and still attached to a pointed ground peg. Two sets of multi-loop needles and two single-loop heddles attached to unworked warps. Nine motifs of worked-in white threads on a red and green background. Motifs include a bird, a reverse curve, a cross, diamonds, and circles. Colours are inverted on the other fabric face. Small blue skein of weft attached.

The head cloth is long and narrow with a geometric pattern and long fringe. The pattern shows the same bipedal figure repeated six times in shades of brown, red, yellow and green. At both ends there is a band of diamonds in a diagonal pattern, followed by a section of tightly woven rows leading to a long multi-coloured fringe.

Complete loom width of dark yellow, weft-faced weaving with tapestry borders of interlocking spirals in red and dark yellow. Tapestry bands with feather motifs in red and two shades of yellow are sewn to both ends, next to the spirals. Fragments of seaming thread indicate the piece was folded transversely, and seamed together.

One complete panel of tie-dyed 'patchwork' tunic. Step triangles, dyed in red, green, and three shades of blue are arranged in radially symmetrical patterns. All colours have resist-dyed designs of small and large circles and bars. The colours line up in diagonal rows. Warp and weft selvedges are almost intact.

Long narrow band of red-brown bast fibre. Braided areas alternate with tapestry woven step blocks and step frets in red, green and yellow alpaca yarns. The dark outlining of the tapestry designs is almost completely deteriorated. The braided areas are three part. Part a is the large braided band, part b is a brown braided fragment, and c is a smaller brown braided fragment. The band is broken and very fragile.

Small rectangle of brown cotton cloth veneered on one face with stem stitch embroidery. Frontal view of brown bodied creature with yellow and green wings and blue ears set against a red background. Two adjacent finished edges and two cut edges. Z-spun, and two plied s yarns.

Irregular, white cotton textile with row of six profile llamas (some partial) with double-headed snakes above their backs. Red and black llamas alternate, each with chevron stripes of yellow, black, blue, and red. The patterning is in a supplementary weft weave. One finished edge is partially intact and has three heading cords in place. The other fabric edges are oxidized or cut.