Pair of white gloves with black patches of animal skin with long fur glued onto the fingertips and the back of the hand in three places. One glove (part b) has long translucent yellow-brown claws glued onto the fingertips. A metal snap closure is affixed at the wrist.

Pair of white gloves with black patches of animal skin with long fur sewn onto the fingertips and the back of the hand (missing on part b). Long, clear plastic claws are also sewn onto the fingertips.

Part of a woman’s ornamental headdress that consists of two large, stiff, flat, (roughly) semi-circular pieces, each made of two layers of animal skin (probably lamb or goat), with short, dark curly hair intact, glued together back to back. The top edge of each semi-circle comes to a point, and when worn, the pieces protrude from the sides of the head, resembling large ears. The two pieces are attached together at the bottom end, and as well, are attached with a 7 cm ‘bridge’ made of twisted wool fibre at about mid-point. One side of each of these ‘ears’ is plain, without further adornment, while the reverse side is embellished at the bottom end with five rows of braided cords made of coarse wool fibre. These cords are glued or sewn onto the surface of each ‘ear,’ and then extend down the back of the wearer for approximately 116 cm; they are tied together about 57 cm from the bottom. Ee70 b is a length of loosely twisted wool yarn, with a decorative brass hook at the each end.

Pair of boots made of sealskin and the throat of a sea mammal (possibly walrus). The feet are made of dark brown dehaired skin. The front and sides of the uppers are made of yellow-brown dehaired skin and the back is made of the yellow-grey thin throat of a sea mammal (walrus?). The uppers are relatively wide compared to the narrow fitted feet and are pleated at the bottom were they are sewn onto the foot section.

Beaded hide apron with straight top edge and five scalloped panels hanging along the bottom edge. Top half consists of a plain hide band, trimmed with white beading, above a larger rectangular panel; long hide ties extend from either side of band. Bottom half decorated with white beads with geometric, linear, and V-shaped motifs throughout; done in dark blue, dark green, dark yellow, red, black, and light purple beading. All scallop edges are trimmed with dark green beads. Back of apron is undecorated.

Round beaded staff with feathers and beads hanging from hide cords along the length. The staff is completely covered in beadwork, long stripes of animal fur and hide, so that the material of the staff itself is hidden. The top end has an elongated, off-white bird head carved in plastic (made to look like bone), ending in the pointed beak. A long hide thong attached along the side holds a combination of long brown feathers, and plastic beads on shorter thongs.

Goblet-shaped drum (part a) with animal skin stretched over the top. Skin is secured with seven removable wooden pegs (parts b-h) and fibre cords. Bottom edge of skin is trimmed with braided cotton(?); loops knotted throughout trim. Two braided plant fibre bands wrap around body and are strung through loops; pegs fit in between cotton and plant fibre. Thick braided cord attached to bands at top and a plain piece of plant fibre tied around base; used as a carrying strap. Long neck in between head and base of drum; protruding lips where sections meet neck.

Small goblet-shaped drum (part a) with animal skin stretched over the top. Skin is secured with five removable pegs (parts b-f) and fibre cords. Bottom edge of skin is trimmed with braided cotton(?); loops knotted throughout trim. Two braided plant fibre bands wrap around body and are strung through loops; pegs fit in between cotton and plant fibre. Thick braided cord attached to bands at top and a plain piece of plant fibre tied around base; used as a carrying strap. Long neck in between head and base of drum; protruding lips where sections meet neck.

Circular wood drum frame with animal skin stretched over the top and bottom. Skins are laced together with thin strips of cane, creating a zigzag pattern around sides of frame. Light-coloured trident design on batter head, along top edge; resonant head is undecorated. Looped tie threaded through cane strips along top edge of frame, for hanging purposes; carved wood handle extends from bottom edge of frame. Handle is cylinder-like in shape, with a pointed bottom. Three heads circle top edge of handle with six decorated rings below. Rings are an assortment of bulbous, angled and flat shapes; decorations are incised lines, geometric motifs and raised scallops. Point of handle has three sides; bird beak, snake and intertwined rivers decorate sides. Drum contains a rattle.

Rigid cylindrical basket (part a) with a separate lid (part b). Body of basket made of bark, covered in woven strips of rattan(?). It has a wide circular opening and square base, with a short foot. Basket is shaped with four exterior coils of rattan(?) around the top third, and two rods along each side. Rods and coils are dyed dark red, and tied to the basket with plant fibre. Three decorative bands woven around basket; two towards opening, one along bottom edge. Top two bands have identical patterns consisting of a grid with a zigzag overtop, zigzag is made of connected diamonds; bottom band filled with horizontal chevrons. All designs are done in dark brown. Entire back of basket is covered with vertical strips of rattan(?). Long piece of bark cloth looped through strips, forming three straps. Label attached to interior of basket. Lid is made of animal skin and has a long lip, that fits over the top of the basket. It has an internal circular frame, made of bark. Skin is stretched over the frame and secured with a rattan(?) coil, dyed dark red, and plant fibre ties.