Plain feathered shaft. Small copper point set into caribou antler fore-shaft with one long barb. Shaft in two parts.

Ulu type knife. Flared metal blade with a rounded, beveled edge on the bottom. Top point of the blade is attached to a metal shank that connects to a short, horizontal handle of grey-white antler (?). Blade has inscriptions on each side: one side lists maker of steel blade in Sheffield England, other side stamped 'Hudson's Bay Company Incorporated 2nd May 1670'.

Carving of a snow house on a flat base (part a) with a removable roof (part b). House is dome-shaped and has a square-like tunnel built around semi-circular entrance. Squares incised around exterior of house, imitating blocks; interior is smooth. Male (part c) and female figures sit on a fur-covered sleeping platform, along back interior wall of house; stone lamp with drying rack suspended overtop along left wall. Large dog figure (part d) lies on floor, in front of woman. Multiple tools line exterior of house entrance, fitting into holes drilled into the base; consist of: snow shovel(?) (part e), snow knife (part f), spear (part g), line(?) (part h), and fish spear (part i). Figures and roof have pegs extending from their bases, which hold components in place. Artist signature carved along top of base, next to house.

Carving of an ivory coloured fish that balances on top of a thin stand (part b). The white fish is slightly curved, with two fins on top, one below; incised circles for the eyes with a point at centre; lines for the gills and mouth. The fish has a hole in the belly that fits over the top of the stand. The darker stand has a somewhat circular base with a vertical post. Unsigned.

Rectangular slice of antler with a carved seal hunting scene positioned on top. Near the centre, a hunter is standing bent over a seal hole, standing on a square piece of fur, with a harpoon resting on two stands in front of him. Across what would be a seal breathing hole is a short, curved snow wall, with the bricks outlined in black ink. Another carved male is positioned standing back behind the hunter; while at the opposite end (on the other side of the snow wall) is a carved seal (part b) lying on the 'ice'.

Two pronged antler carving attached to a stone base. In the lowest section of the antler a human-like face is carved. Just above where the antler splits in two branches, is a carved water spirit(?) type creature with caribou fur for hair and flippers as hands and feet; at the end of that prong another smaller creature with flippers is carved. The other branch sticks out to the side and has a twist carved into most of its length; at the end is a bird-human type creature, carved as if it is biting the branch with a large beak; its two legs and an arm are extended out. The stone base is irregular, but almost square. Unsigned.

Large slab of aged, brown whale bone (part a) used as a base for a hunting scene. A carved stone hunter (part b) stands in a partial crouch at one end, holding a bow and arrow made of antler and sinew, pointed toward a stone caribou (parts c-f) at the other end. The caribou has its legs folded, and has an arrow sticking out of a hole in its side, as well as removable antlers on top of its head. Both stone carvings are positioned on the whale bone base by small pegs (parts g-h); the peg holes are in the man's right foot, and the stomach of the animal. Unsigned.

Stone carving of a goose on a separate antler base (part b). Goose is made of polished black stone in a resting position with its head turned back. Fours lines are carved on the back to show wings; for eyes there are small circular lines with a tiny hole indented in the centre. The goose has a hole in the bottom at centre for the stand's peg. The antler stand is a Y-shaped piece with the ends rounded off, and a wooden peg inserted at the centre. Artist name and community inscribed on bottom of goose.

White (beluga) whale attached to an antler base. Carved whale of tusk, with pectoral fins glued in place. Appears to have a wooden peg attached firmly to the flat antler base. Green ink has been added to the round incised eyes and the ]-shaped blowhole on top. The small tail appears to have been broken and reattached. Artist inscription on base in green marker.

Small awl made of antler. Elongated shaft tapers to a point. Carved circular finial at the top. Awl has a natural curve, dipping in the middle.