Model kayak made of skin, stretched over an internal wooden structure (part a). Strip of antler(?), secured with wooden pegs, lines front keel. Ends of kayak are capped with oval-shaped pieces of ivory(?). Two sinew rigging lines in front of the high-walled cockpit, and one behind. Two ivory fasteners attached to each line. A double-bladed paddle (part b), spear (part c), harpoon (part d), harpoon line rest (part e), and two tools (parts f and g) are separate. The paddle, spear, harpoon and harpoon line rest are made of wood with antler blades (parts c and d) and reinforcement components (parts b, c and e). The two tools are made of antler. The largest (part f) is flat with a straight handle and a curved tapering end. The smallest tool (part g) has a rectangular handle, with triangular indentations along the bottom edge, and a thin pointed tip.

Long, thin scoop-like ladle made of antler. Shallow bowl has steep sides and curved ends. Handle is rectangular and angles upward. Two holes drilled through centre of handle with strip of hide looped through, forming a hanging tie. Bowl and back of handle have been polished; front of handle is rough, showing core of antler. Previous repair work below hide tie. Small metal plate has been riveted to front, covering a large crack visible from the back.

Model kayak carved from antler (part a). Small figure (part b) sits inside cockpit, wearing a hooded parka. Eyes and mouth are incised, nose carved in low relief. Arms are held straight in front of body. Small notches along centre edges of hands to hold a separate double-bladed paddle (parts c and d; paddle is broken). Back of figure is polished; front is rough and dark grey, showing core of antler. In front of the figure, two harpoons are tied to the kayak with white fibre. Animal-shaped harpoon rest, with holes drilled along its length, in between them. Ends of kayak are carved in low relief.

Carved wooden figure depicting a standing woman. She is forward facing, with a flat body, thin arms and rounded legs. Her feet are circular and have incised lines along the front edges, imitating toes. She has a wide neck and long, oval-shaped face. Her eyebrows are pronounced and she has a thin nose, and straight mouth. Her eyes are circular and inlaid with bone and obsidian. There are incised lines across her head, imitating hair, that extend upward, into a large bun, protruding from the top of her head. Her long, oval-shaped ears are along the back sides of her head. Holes are drilled into the lobes. On her front, her breasts are carved in low relief. Her right arm is bent, with her hand resting below her left breast. Her left arm is parallel to her body, with her hand resting over her groin. On the back of the figure, her shoulder blades and buttocks are carved in low relief.

Carved wooden figure depicting a standing woman. Her head is shown in profile and is facing down. She has a long, oval-shaped face with pronounced eyebrows and lips, and a long, wide nose. Her eyes are circular and inlaid with bone and obsidian. There are incised lines across her head, imitating hair, that extend into two buns, protruding from the back of her head. The figure’s body is flat and curves towards the left. Legs have a curved front and flat back. Feet are circular and have incised lines along the front edges, imitating toes. Her right arm is bent with her hand resting on her stomach. Her left arm is parallel to her body, with her hand resting near her groin. On the back of the figure, her shoulder blades and buttocks are carved in low relief. She has a white string knotted around her neck. Inscription on the centre of her back, reading "Soquel 1909."

Carved stone caribou (part a) kneeling on all fours, with legs tucked underneath the large body. The caribou is facing forward with rounded ears back, eyes squinting, and mouth slightly open. Both antlers (parts b-c) have been broken off above their attachment points.

Two carved stone figures (parts a-b), pegged onto separate stone base (part c). The larger standing figure (part a) holds a knife in each hand (parts d-e), while the smaller figure (part b) appears to be falling backward towards the ground while clutching their chest with their left hand.

Power figure (nkisi nkondi). Standing male figure (part a) with left arm down at side with hand positioned to hold something, his right arm raised with fingers curled to grasp a spear (part b). The figure has inset glass eyes with painted white pupils. The face is carved with an open mouth with bowed lips, a triangular nose, and large ears. The hair is striped black and orange-brown, and wrapped at the hairline with a plaited fabric band. The body is covered with rusted nails and small triangular metal blades. Strips of fabric are wound throughout the nails, with some bone fragments included. Attached to the chest and abdomen, one above the other, are two rectangular glass-front boxes containing plant fibres and other materials. The glass is covered by grey clay with inset small red beads, leaving a small circular area through which to view its contents, and is wrapped in twine. The figure stands on a rounded rectangular wood base with a large piece missing. The wooden spear has a cylindrical shaft and triangular tip, all carved from a single piece of wood.