Wooden crossbow (a) with a twined, fibrous cord (b). Bamboo crosspiece, tapering out from centre has carved dowell-shaped ends. Piece is centred passes through and at right angle to stock. Stock tapers at front end to two points and tapers from join leveling out towards butt end. Two notched rows along length of front end with remains of fur overall, added by gluing(?). Carved notch halfway down stock and dowell ends of crosspiece accommodate. Part b: length of twisted and bound fibre; two loops at each end for fitting over dowels; centre of length is reinforced with twisted bamboo for fitting into notch. Carved, articulated wooden trigger attached by dowel to stock.

Cylindrical container with lid from natural nodes of bamboo, one end closed on each. Red geometric patterns on container with diamond shapes. Ends with gold and red rings. Red cross on lid's indented top. Shorter lid is fitted over the longer container. Woven rings are inset into the bamboo on each. Single cut grass strand is knotted at both ends to two woven handles protruding from both sides of the container's woven ring. Grass passes up through the two drilled holes in the lid, is knotted together, and extends stiffly upwards.

Tube (part a) from a natural node of bamboo, one end of which is closed while there is a small hole drilled on the side near the open end. At hole, split has formed. Parts b-h are arrows formed from solid bamboo lengths with the ends carved to points. Other end of each is split partially down the length and inserted into it, there is a folded diamond-shaped bamboo fibre piece held in place by fibre binding around the circumference at the top.

Four-piece, three-tiered, round cake basket in black lacquered wicker work with gold, swirl, line and floral designs. Part a: base with stand-up handle; four orange/red painted sections; prominent wicker work in two horizontal sets divided by a black band. Handle of bamboo slats with red painted bands at corners; curved, forged metal handle at top attached with two curved metal strips. Part b: centre tray with middle orange/red section with prominent wicker work. Part c: top tray with gold painted twining through centre of wicker work. Part d: lid; top and sides made of orange/red wicker work; top centre features a back section with scalloped edges and a faint floral design painted in gold.

Basket (a) with removable trays (b) and lid (c); black lacquered wicker work with faint gold/orange floral designs. Part a: the basket's base with a stand-up handle attached at the sides; black except for four red, painted side sections where underlying wicker work is prominent. Part b: centre tray, four centre sections on sides painted red, open wicker work with a gold line running through it. Part c: convex lid, black with wicker work painted red; centre black section, scalloped edge with six extensions, gold/orange painted design of man with leg on left pulled back, standing under tree. The numeral 39 is painted in gold on the underside of each section.

Round, low basket (part a) of finely split bamboo with traces of green dye, especially inside lid (part b) and on bottom. Lid (part b) is ornamented with light purple glass bangles secured with finely knotted yellow cotton cord. Eleven Chinese coins are sewn on lid (part b) with light purple, yellow, green, and blue glass beads.

Wayang kulit (shadow puppet) Gunungan (mountain) or kayon (tree of life). Leaf-shaped filigree-cut leather object tied between stick split lengthwise with 3 carved bands at base and tapering handle. Base of leaf tapers out and into point at top. Light blue pedestal design at base, ends curled up; topped by upturned row of floral motifs. Oval enclosures in centre flanked by 2 large curved wings. Tree trunk grows from oval supporting rosettes, symmetrical sets of branches with 4 monkeys. Six birds in various positions between. All colours pale. Number on base (29-1919 ?) and inscription 'Bakoendean'.

Multicoloured rice flour paste figure of the deity monkey; left leg is lifted, left hand over brow. He is holding a yellow staff of paste over bamboo behind his back (9cm. Long). Figure is mounted on a bamboo stick which is embellished with rice flour paste flowers with leaves.

Figure of goddess Kuan Yin, seated on a pink lotus with green leaves, of rice flour paste. White robe, multi-coloured headdress. Hands in prayer position. Mounted on bamboo stick.

Multicoloured rice flour paste figure of Kuan-ti with spear halberd at his back of paste over bamboo sticks, carrying a book in his left hand. Cracked due to drying and partially eaten by insects. Mounted on a bamboo stick.