Wood and bamboo spear. The long wooden head has four tiers with carved lines encircling the top three at the base. It is inserted into a bamboo shaft, bound with criss-crossing rattan and beeswax. A thin line is scratched around the top of the shaft three times. The bamboo’s nodules have been shaved smooth.

Wooden spear. The bamboo shaft is joined to a carved wooden spear point and bound at the juncture with a small section of woven plant fibre. The carved spear point is quite long and consists of five large sets of barbs, three smaller, rounder sets of barbs and a thin point. The carved spear point holds a fine layer of mud adhering to the barbs.

Wooden spear. The spear is made from bamboo with a carved wooden point. The connection between the shaft and the carved, barbed wooden spear point is wrapped in a small stretch of thin interwoven plant fibres. The wooden point is carved near the tip with five large sets of barbs, four smaller, rounded barbs and a thin, long point.

Spear made with a bamboo shaft. The shaft is joined to the bundle of metal points that form the spearhead, bound by woven plant fibre. This bundle of organic fibre is connected to a woven section of synthetic fibre through a number of tight loops between the two bundles. The spearhead consists of five pointed metal pieces and five metal pieces with triangular, perforated tips. These different metal pieces are arranged roughly equidistant from each other to form a conical shape.

Wooden pipe. The larger piece (part a) is decorated on the middle third with two thin bands of painted, cross-hatched design on either side of a reddish middle panel featuring intertwined abstract designs. At the centre of these design are triangles containing hourglass shapes. The designs are outlined in dark brown pigment and filled in with many parallel horizontal lines. At one end of part (a) the wood is coloured darker than the rest of this piece and wrapped in a thick band of synthetic fibre. Part b is undecorated aside from a small band of stylized ‘v’ shapes. There are ash remains inside both parts. Both parts have tape wrapped around them, one at the end, the other at midsection.

Wooden pipe. One piece (part a) has a band of decoration near the midsection, consisting of incised and pigment-filled abstract patterns of curved, straight, and intersecting lines. At the base of this band is another smaller band with roughly circular dot incisions. The end adjacent to the decoration has a distinct mottled texture and is darker in colour. The opposite end has been whittled down to the interior layer of wood and is darker in colour. The other part (b) has been slightly whittled down at either end and has two sections of bark preserved in bands around either end of the piece. Some ash remains inside both pieces.

Wooden pipe. Large pipe consists of one open end and an opposing rounded end with a small circular opening. The outside surface is decorated with linear designs. The exterior is riddled with small holes while the interior retains some ash, particularly at the rounded end. There is a white band of paint(?) running along the midsection of the pipe.

Wooden pipe. One piece (part a) has a smoothed surface, red-brown in colour, and is undecorated. The end portion is circular with a smaller, circular opening and carved letters. Part b is light yellow-brown in colour and is similarly unadorned. Both parts of the pipe retain some ash material inside.

Carved wooden instrument with a series of evenly carved ridges protruding outward, running along most of the front length of the piece. A hole is bored through the bottom as a handle. Thick decorative lines are carved into the sides of the instrument. The playing stick (part b) is a short piece of bamboo cut into strips on the bottom. The top of the instrument is carved as the head of a man, with beard and mustache, protruding nose, lined cheeks, carved eyes and heavy, wrinkled brows. His mouth has a bored hole at centre that holds a small wooden pipe (part c) with carved linear designs.

Carved wooden instrument with a series of evenly carved ridges, protruding outward and running along the front of the piece. A hole is bored through the bottom for a handle and the bottom portion curves back slightly. Thick decorative lines are carved into the sides of the instrument; “Braea Purtugal” is also carved on one side. The playing stick (part b) is a short piece of bamboo cut into strips on the bottom. The top of the instrument is carved as the head of a man with a beard and mustache, protruding nose, lined cheeks, carved eyes and heavy, wrinkled brows. His mouth has a bored hole at centre that holds a small wooden pipe (part c).