Plastic doll standing with hands at sides. The doll has dark brown skin with curly synthetic black hair and brown eyes that open and close. The doll has a headband with three rows of small grey shells and an open weave head covering the hair. They carry a loosely woven bilum bag with pieces of wood(?) inserted horizontally throughout that hangs from a strap strung over the head. On the arms are dark brown woven arms bands and around the waist a thin woven band. The doll has a bark apron, covered by strings of small grey seeds that are twisted from the neck around the shoulders and then back around the waist multiple times. On the calves are mismatched woven leg bands.

Plastic doll standing with hands at sides. The doll has dark brown skin with synthetic black hair and brown eyes that open and close; it has a headband with three rows of small grey shells and a headdress with three tiered layers of plant fibre - in red, purple and natural (front to back, small to large). There are lengths of bark woven into the hair. The doll has a loosely woven cloak with horizontal pieces of wood(?) inserted throughout, with a bark cloth cloak layered overtop; also dark brown woven arm and leg bands, a chest band, and a skirt of twisted fibre over a red loin cloth. The doll wears strings of small grey seeds twisted from the neck around the shoulders and then back around the waist.

Basketry baby carrier with woven tumpline; made up of slat foundation and sides covered with coiled cedar bark. Carrier is rounded and wider at head; tapered and narrow at foot. Exterior sides and head walls have a repeating checkered square pattern, alternating between red-brown and black; thin bands of undyed bark in between squares. Exterior wall of foot has two squares with half red-brown and half black checkers. Interior of carrier is undecorated. Thin skin straps and ties threaded through top edge, near four corners and head of carrier; tumpline is attached to skin straps at foot. Tumpline has central diamond design with triangles extending from either side; diamond and triangles are undyed. Negative space around shapes done in black, red, and olive green alternating bands.

Rope skirt sealed inside a plastic bag; bag is secured shut with a paper manufacturer's label stapled over the opening. Skirt has a long waist band; one side has a looped end, other ends in a thick open braid. Along length of band are two sections of braided fringe; one section of fringe is longer than the other. Orange card inserted into bag, behind skirt, with image of people wearing the skirt and one of the skirt by itself; paragraph of text describe maker, material, and how it was worn.

Bilum sealed inside a plastic bag; bag is secured shut with a paper manufacturer's label stapled over the opening. Bilum is square-shaped with a wide strap. Made predominantly of naturally coloured fibres with five decorative bands across length. Bands are (from top to bottom): checkered pink, green "V" shapes, alternating pink and natural squares, alternating green and natural squares, and checkered pink. Blue card is inserted into bag, behind bilum, with image of person wearing a bag and one of the bilum itself; paragraph of text describe materials, and techniques on how it's made.

Baining bark cloth face mask. The hat has a sturdy formed brim, which expands into a conical crown, painted with repeating patterns of triangles on a continuous line that alternate in black and orange-red. A pointed wooden tip is inserted into the point of the hat. The conical crown is formed with a circular piece of wood, which has straight sticks attached to it, that extend up and meet at the tip. The interior of the crown is lined with large leaves. The face mask is attached to the hat where the brim meets the crown, and has a sturdy formed jaw line. The mask is painted with a skeletal face design showing sunken cheeks and forehead, open mouth with pointed teeth and large outlined black oval-shaped eyes. There is a hole through the centre of the forehead.

Basketry covered clay jar with designs throughout a central band. Designs include steamship, deer, flowers, cannery, and boat; done in red, brown, green, and yellow. Above and below the band are open weave sections, trimmed with red; thin red stripe around foot of jar with purple triangles extending from either side. Two bands wrap around shoulder; top is red and green and bottom is plain yellow. Third open weave section divides shoulder and neck of jar; plain piece of cedar wraps around neck, trimmed with red. Red inverted triangles decorate opening of basketry; base of basketry consists of alternating bands of weave and open weave. Centre of base is woven and decorated with a plain green line. Glazed clay jar is dark brown.

Small woven grass basket with lid. Round basket with upper edge with one strip of cedar bark, that fits tightly under the dome-shaped lid. The imagery on the basket is of four green birds flying in the same direction around the middle, with a black and red stripe near the base. The lid has a faded black peak, with one black swirl and one red swirl below; the bottom edge of the lid has a green and red stripe around it. The colours inside are very bright, showing a dark blue-green and dark red-pink on the lid.

Glass bottle covered with basketry. The basketry pattern has six bands of different types of weaving. The base is plain cedar bark; the bottom outer band is woven grass with red borders and a canoe image on both sides; next is a looser band of cedar weaving with a diagonal pattern (partly transparent), then a wider central grass band with an image similar to the BC Coat of Arms in the centre (shield-like shape between an elk and bighorn sheep, standing at sides) on one side, also with red borders. The other side appears to be a wolf headdress; then another loose cedar bark band; then another grass band with a canoe design on both sides, red borders, and two ducks on the short sides. There are 7 curved lines going up each shoulder; with the basketry ending midwayup the neck of the bottle (clear glass above). The bottle itself is somewhat oval, with flattened faces and rounded sides; the shoulders angle in sharply to a narrow neck (no lid).

Carved wooden face mask with a large nose protruding out from the centre. Painted mainly in black and blue, with large red nostrils and a pattern of red dashes at both upper sides. Round open eyes and an open slit at the mouth. Chin unpainted. Braided cedar bark rope attached all around the edges; the braid meets at the top and is bound by a cotton twine. Half of the bark has been dyed red. Above the bound area the cedar bark sticks out over the forehead, as a loose bundle. Inside unpainted. Artist initials carved into wood (T inside the A). (Metal eye hook and plastic tied across back for hanging.)