Wide sheet of thin, tan-coloured material made from bark. One side paler than the other. Many repairs made with sinew thread; also some patches. Edges unfinished (no fraying). Grain appears to be diagonal to the edges; often the grain direction is crossed perpendicularly.

Small mask with fine features and articulated jaw. Hair is in the form of a black crest. Two cone-shaped protrusions rise on either side of the crest; those in front are red, those in back are black. A long, raised scarification mark on the centre forehead ends between thin black eyebrows. Eyes are narrow slits. Small rounded ears are separated from eyes by two black raised disks with raised horizontal rectangles in between. Lips are painted black. Jaw is joined to upper section with bark(?) threaded through holes behind eyes and the top of the jaw. Perforations are made in hair crest, black cones and behind ears. Mask is patinated.

Twisted cedar bark rope bound around a central core of stuffed fabric making an oval shaped neck ring.

Bark cloth cover decorated with twelve repeat rectangular designs in groups of three. Each rectangle contains nine triangular shapes divided into three rows. The edge is folded over towards the front and sewn in place to form a border.

Tapa cloth with panels divided by dark brown lines. The rectangles are decorated with geometric designs, banner-like designs, and inscriptions in brown. The three smaller rectangles at one end have segments of the same designs.

Tapa cloth with geometric patterns of straight lines and zigzags. Predominant patterns are width-wise with dark brown diagonal lines, zigzags, and triangles.

Tall circular jar, wider at shoulder than base; short narrow neck and thickened lip. Three perpendicular calligraphy figures on one side; five on the other. Small paper sticker on mouth reads 'Made in Japan'. Cork on bottom.

Rectangular box with arched end walls, and niche on one side for metal lock. Hinge wire at two places on opposite side. Birch bark, with chevron designs of porcupine quills in yellow-white, brown, and yellow-orange, wrapped around sides. Arched lid of birch bark fits over rim of box. Ends and side of lid are lashed to top with split root. Wire at two points on one side, in centre of other. Chevron designs in quills interwoven in alternating rhomboids and pairs of stripes. Quill design in top; wide longitudinal band of symmetrically arranged triangles and rectangles, dominated by central equilateral diamond enclosing four petalled curvilinear pinwheel. Band flanked by narrower bands of four half-circles each. Designs enhanced with interwoven or overlaid quills. Lid split across top, and across one end. Scoring of bark for design planning seen where quills are missing on box and lid.

Rounded cedar root basket (a)with a flat, circular bottom, gently flaring sides, and a flat, fitted lid (B). Coiled on slat construction, bifurcated stitches, and partial imbrication in red and black cherry bark. Zigzag motif. Lid has same construction with an imbricated five point star design.

Oval-shaped basket with lid. Coiled on slat foundation. Foundation has large checkerboard-like look but is plain weaving done over alternate slats. Sides are coiled and completely imbricated with yellow tule background, and red and black zigzag design. Two lid sections are connected in the middle and open inward, attached to a centre coiled zigzag-like structure which separates the two halves of the basket. The lids are plain weave over slats. Solid wood handle is wrapped with cedar and cherry bark with tule inlay.