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Basket1968.105.3

Culture
Mi'kmaq
Material
birch bark, spruce root and wood
Holding Institution
Nova Scotia Museum
View Item Record
Basket1934.163
Circular Box with Maple Leaf Design on the Cover37.431a-b

This is a lidded birchbark box with porcupine quillwork.

Culture
Anishinaabe
Material
wood bark, porcupine quill, string and reed
Holding Institution
Brooklyn Museum
View Item Record
Basket2829/1

Open rimmed birch bark basket, sewn at sides with pale yellow root strips and stitched around rim with pieces of reddish-brown bark underneath and woven into strips of pale yellow root. Decorative row of plant motif designs around two longest sides. Darker side of bark on outside, paler inside. Signed, dated on base.

Culture
Dakelhne: Nadleh Whut'en
Material
alder bark, spruce root and red willow wood
Made in
Fraser Lake, British Columbia, Canada
Holding Institution
MOA: University of British Columbia
View Item Record
Shield2861/1

Large, old, wooden shield, re-painted with an image of a character called "Phantom Man" over most of the front surface. The superhero’s torso is depicted, clothed in a tight purple head cover and shirt that emphasizes his musculature. A blue, black and white belt sits at his waist. Hands and face are white and he wears large black framed, grey lensed glasses. Behind him, the surface of the shield is painted orange through which can be seen decorative perforations in circular and linear designs. "PHANTOM" is written in large red letters across the top of the shield, and above this are vine strips and a few feathers tied around the top edge. The reverse side of the shield is unpainted and has a loop of braided vine attached at the centre, with another attached in two places on the left side. Image colours are orange, purple, red, white, black and blue.

Culture
New Guinea
Material
wood, bark, paint and feather
Made in
Papua New Guinea
Holding Institution
MOA: University of British Columbia
View Item Record
Gathering of Nations2011.5

This traditional, coiled basket is created especially for the Museum for the tipi exhibition by the artist Carol Emarthle-Douglas. On a natural background, it depicts eleven different women, each wearing the traditional dress of her Tribe, or Nation. In her hands she extends out a three dimensional basket woven in the style of her people as if to present it to the entire world. This is reflected exactly the same on the inside where she extends her basket as if to her community of basket makers. Four different basket making techniques are represented and materials are as follows by Nation: Seminole-One-rod coiling- one coiled pine needle, wrapped with raffia Haida- Twining- Red and Yellow cedar bark, commercial dye Pomo-One rod coiling-Round reed wrapped with raffia, various colors Navajo- One rod coiling- Round reed wrapped with raffia, various colors Yakima-One rod coiling- Round reed wrapped with raffia, various colors Nez Perce-Twining-Waxed linen thread in brown, green and white Northern Arapaho-One rod coiling, Coiled cloth wrapped with wire core, wrapped silk thread Ojibwa-Bending bark, Cherry bark, artificial sinew, etched design Penobscot- Twining- Black ash, sweet grass Chitimacha-Twill- Black ash, yellow cedar Cherokee- Twill-Yellow cedar, dyed yellow cedar

Material
waxed linen thread, single-rod hemp core, yellow cedar wood, reed, raffia, sweet grass, pine needle, silk thread, cherry bark and artificial sinew
Holding Institution
Brooklyn Museum
View Item Record
Box60.1/5470