Mask with short lengths of cedar bark attached in bundles at the sides of the head and at the cop centre of the head. The mask is painted white with slanted eyes outlined in red, a red hooknose, red pursed lips, and an angled brow with off-white skin nailed to the eyebrows. The cheeks and chin are decorated with black and red curved linear designs, and there is a semicircular black design element above the top lip. A length of off-white string is attached through holes at the back of the mask.

Mask painted white with painted black hair and thick eyebrows as well as a moustache with curled ends. The nostrils and upper lip are painted red, and there is a red scalloped design at the sides of the face. The eyes are circular holes with an eye shape outlined in black, and there is cedar bark as well as black horse hair attached at the top of the head as well as horse hair attached below the nose and on the chin.

Mask with cedar bark fringe at top and a bundle of cedar bark at either side, a protruding brow and hooknose, crescent-shaped eye holes, and an open mouth with protruding lips. A bunch of white and grey feathers is bound to a wooden stick (part b) with blue thread and adhesive fabric tape, and fits into a hole in the top of the mask. The mask is painted white with heavy black eyebrows, black pupils and eyelids, red nostrils and lips, and a curved black line on both sides that accentuates the cheeks. A piece of wood is attached across the back at the top. Two holes either side of the mouth near the edge of the mask.

A book (part a) and a feather (part b). The book (part a) has a brown cover and a title of 'W'iigyet's Journey' in black on the front. The pages are white with black lettering and artwork in red and black. A few pages have 'pop-up' artwork. Sections include the following: 'Introduction', 'W'ii Gyet's First Home', 'Feast of the Sun for The Creatures of the Forest', and 'Acknowledgements'. The book is signed and dated on the last page: 'Limited Edition of 10 / W'ii Gyet's Journey / August 2002 / Author / Artist Doreen Jensen / Collaborator / Paper Engineer cindy chan piper / Date December 2002 Edition No. 10'. The dark grey feather (part b) is attached to a twisted cedar bark cord and acts as a bookmark.

Mask with straight nose, flared nostrils, and thick red lips. A fringe of cedar bark is attached at the top. The mask is painted white with a scalloped design in red and black at the top of the forehead, thick black eyebrows with upturned ends, red, black and white eyes with a red design at the temples, red nostrils, a black moustache, red lips, a black scalloped design on the chin, and a pattern of red ovals on the bottom surface of the chin. Off-white and green cord attached at the back through holes in the sides and chin of the mask.

Mask with bulging eyes, a hooknose and pursed lips. Five tufts of cedar bark are attached along the top and side edges as well as a long cedar bark fringe attached at the back. The mask is painted white with a red scalloped design at the top edge, heavy black brows, red and black eyes, red nostrils and lips, a black moustache, a red curvilinear design on the cheeks, and a black curved line on each side that extends from the sides of the chin to the nostrils. There is green cord attached at the back of the mask and it hangs through holes at the sides of the chin down past the cedar bark fringe.

The shaft is carved with dark vertically linear designs on a natural background above four of the five cane joints with the top most design consisting of triangles. The end of the shaft is wrapped with fibre. The base of the shaft, near the pointed end, has bark (?) wrapped around it. The point has two stacked cones, each with a double base.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood. The top edge is slanted at an angle. Evenly spaced rectangular carved sections are located on the edge of the piece near the top and have embedded cedar bark stitching. Back has two rectangular indented notches at the bottom and top of the board. Nails on the top portion of the board.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red designs visibly cover the entire surface. Cedar bark stitching and/or the attendant holes at both ends of board. Nail holes irregularly spaced around the outer edges. Underside is covered in uniform chisel marks, with an encircled number ten inscribed in bright pink near one end. Rectangular indentations at both ends on the underside.

A basketry woven fan with a deltoid leaf shape. The main geometric design consists of a double pair of curved dark brown bark rows, one from the inside and the other along the outside, going from the bottom of one side to the top of the other side. Light brown bark background.