Nose piece (Bipane). Two large shells of a clam are carved into thick concentric crescents, tied together with a bright yellow fibre through a small hole in each piece and glued with beeswax. The outside is a light tan in colour with brown striations. The underside (front) is ivory in colour. The two crescents are set quite far apart.

Nose piece (Bipane). The two shells of a clam are carved into thick crescents, tied together with bast string through a small hole in each piece and glued with beeswax. Both sides of the shells are ivory in colour, with some darker striations on the outside and natural vertical lines on one shell.

Nose piece (Bipane). The two shells of a clam are carved into thick crescents, tied together with plant fibre through a small hole in each piece and glued with beeswax. The horizontal striations on the back are dark brown and light yellow. The underside is ivory in colour. One carved shell is larger than the other. The curving tips sit close together. The beeswax join has speckles of white over it.

Nose piece (Bipane). The two shells of a clam are carved into thick crescents, tied together with bast string and rattan through a small hole in each piece, and glued with beeswax. The shell striations on the back run horizontally through various shades of brown. The underside (front) is mottled in sections but predominantly ivory and light grey in colour. The curving tips are close together.

Nose piece (Bipane). The two shells of a clam are carved into thick crescents, tied together with plant fibre through a small hole in each piece and glued with beeswax. Both sides of the shells are ivory in colour mottled with light browns. The curving tips are close together.

Nose piece (Bipane). Two clam are shells carved into thick crescents, tied together with rattan through a small hole in each piece and glued with beeswax. Marked striations on the back run horizontally on one shell, diagonally on the other. The undersides (front) are different in tone; one light grey with darker spots, the other slightly darker with white spots. The curving tips almost touch.

Gift of Herman Stutzer, Esq.

Three bent wood hooks with bone barbs lashed on with bark. The hooks have the remains of sinew leaders on the lower arm. A) B) are halibut hooks, C) is a cod hook.; Good.

A. Augustus Healy Fund

String puppet (marioneta) representing the character Adamastor, mythological character, embodiment of storms. The core of the puppet is a mass of dark brown cragged wood, cork, large strands of frayed rope and torn white plastic, as well as several small white shells. The monster's eyes are barnacle shells. Grey paint has been added to all elements in a few areas. Falling from this amalgamation is a long torn piece of black cotton fabric, also rubbed with grey paint in areas. A leather and rusted metal belt buckle is tied into one corner. Part b is a wooden control stick, carved at centre, with the handle painted to look bone-like. The control stick fits into the central piece of cork in the head.