An arrow shaft, 62.5 cm. long, made of a variety of pitpit or sword grass. The shaft has black coating. The round foreshaft of black palm wood is 25.5 cm.long between bindings. Bound at the insertion into the shaft, there is a sleeve of woven rattan 2 cm. wide and to the point with a band of bark cord 5.5 cm. wide. The palm wood is bound with a narrow sleeve of woven rattan less than 1 cm. wide. The foreshaft is also bound with a narrow sleeve of woven rattan. The bark cord band is coated with grey clay. The point is a solid round bone projection 12.5 cm. beyond the binding and coated with a black substance.

Mask with top knot of folded cedar bark wrapped with a strip of red plastic near the base. The mask is painted grey and has two indented diagonal curved shapes near the top of the forehead. Curvilinear eyebrow ridges extend beyond the side edges, and beaten copper is nailed to the surface of each. The eyes have circular hollow protruding pupils made of abalone shell, and the hooked beak-like nose has wide rounded nostrils. The open red mouth has pointed recurved lips. The mask also has a pointed chin and a series of black curved lines that accent the cheeks from chin to temple. Signed by artist on reverse.

A very flat brown wooden dish with an elongated oval shape that has one end pointed, and a smooth surface. The rounded end is thicker, and rougher, and is more bent so that it is higher. The convex side is incised with two parallel rows of dots 11 cm. from the pointed end of the bowl. Between the dots and the point, there is a simple incised pattern of parallel and perpendicular lines. A hole is bored through the near point, through which, there is a loop of bark.

An arrow shaft, 83 cm. long, made of a variety of pitpit (sword grass). The shaft is light brown with black coating. The fore-shaft is a flat length of black palm wood, 10.5 cm. long, bound to the shaft with a sleeve of woven rattan 1.5 cm. wide and to the point with a band of bark cord 11 cm. wide. The fore-shaft is also bound with a band of woven rattan less than 1 cm. wide. The bark cord band is coated with red ochre and has a rough stripe of grey clay on each side. The long point is of solid bone, 17 cm. long, also coated with a black substance.

An arrow shaft, 88 cm. long, made of a variety of pitpit (sword grass). Light brown near the fore-shaft is darkening to black at the butt due to a black coating. The fore-shaft of black palm wood, 18 cm. long, is inserted into the shaft and bound with a woven sleeve of rattan 1.5 cm. wide. The fore-shaft is incised with dots and zigzag lines. The long point is made of solid bone, protruding 6.5 cm. beyond the fore-shaft and bound to it with a band of bark cord 10 cm. wide and a sleeve of woven rattan 1.5 cm. wide coated with red and yellow ? ochre.

Mask made from cut out planks of wood formed in a triangular-shape with flat sides, a thin adjoining nose piece and rectangular shaped pieces of wood at the back. Detailed in blue, black and red stylized forms is a lightning serpent with a carved snout which is painted black along with the eyebrow and mouth. The large red eyes are outlined in blue. The mouth has red teeth bared. Attached to the top of the mask are long, thin strips of cedar that hang down to cover the head of the wearer. Incised in the inner side is: ‘Clayoquot serpent headdress, J. David, 80’.

Deeply carved humanoid mask has black stained cedar bark strips folded, wrapped and tied to u-shaped ear projections and to upper edge of brow ridge; beneath cedar bark, between ear projections, red scallop-like design; ears have a series of rounded forms with a triangular form at base; large arched brows; deeply inset blue eye areas with black and white circular hollow eyes; hooked nose has curled tip resting on upper lip; rounded flaring hollow nostrils; deeply inset blue area around open mouth with protruding red lip bands; curvilinear t shaped design on cheeks; black and red coil at side rims meld with black chin. On reverse, thin wire is wrapped around a screw at each side rim and a nail at centre top to form a hanging device; red and black paint around eyes, nose and mouth; signed at side on right 'cockle hunter (Bookwus)' Glenn Tallio Nuxhalk Nation Bella Coola B.C.'87.

Painted dance mask with twig headdress and cedar bark fringe. Mask has a very bulbous black forehead with white painted ridge above and below curving eyebrow band. Eyes are close to nose with round hole outlined in white and enclosed by a black eye-shape. A blue contoured teardrop shape expands out on both sides surrounded by a white band. Large hooked nose with white tip and curving band dividing the black top from the red bottom and extending to corners of mouth. Very large triangular nostrils on underside of nose. Tip of nose meets large rounded chin. Deep-set mouth is slightly opening showing 2 rows of even white teeth. Red curving, contoured split u-shapes on cheeks. There is a lip around outside of mask, painted with large blue circles. The areas between are natural cedar. Three partially red painted fir boughs (without needles) are mounted into metal springs in the top of the mask, 2 with masking tape and one with leather. White ostrich feathers are attached by white thread at 5 places and around cedar bark tuff at top front. Tuff is braided to sides. Cedar bark fringe on top back is loosely tied together with white string dyed brown. The string end has passed through hole on side where leather thong is tied. Thong also ties on opposite side and at top, centre. Thong is looped at centre back. Bottom cedar bark fringe is attached to bottom of mask with string which is loosely tied across fringe in 2 rows. Cedar bark strands alternate between natural and red dyed. Inside of mask is partially covered with red sprayed paint.

Circular based chair has rectangular back and curved armrest with same decorative intertwined bamboo splints. Bamboo splints interwoven in plait-like weave on seat, surrounded by bamboo grass tied with bark. Support of 2 inverted v shaped branches, one part of branch in base the other extends behind chair; all joints affixed with black glue. Criss-crossing bark under seat, and wrapping around rim underneath gathered bamboo grass. Base: wide smooth overlapping wood strip forms circular base; crisscrossing bamboo strips extend upward from base to wooden rim at bottom of chair seat. Black adhesive is used on all joints.

Bee mask. Slightly rounded white forehead has a black and yellow horizontal curvilinear design, red ovoid at centre of yellow; raised thick curved black brows; thin yellow line joins orbital areas at dip between forehead and large protruding bulbous snout; yellow round hollow protruding eyes with black and white bands around pupil; snout has black triangular shape at top and bottom joined by a narrow band, black outline; cluster of five holes, top hole on right has remains of 'stinger'; white, yellow and red crescentic designs around circular white hollow nostrils; white temple; defining line for cheeks melds with orbital ridge; curvilinear black line on cheek; square-like white line defines black split U on either side of mouth area; white and yellow bands around small pointed protruding red lip band, painted design converges at lower lip point; yellow triangle on upturned chin is outlined in white. Cut cedar bark, tied with white cord, folded around a folded orange-pink cloth and nailed to upper rim; white cord and red cloth are twined into the cedar bark lengths; at side on right folded white cloth, stitched with yellow thread, is nailed at temples; brown cord twined into first 7cm. of bark. On reverse, one brown cord passes through two holes in upper rim, looped and knotted through hole at each temple; second cord is looped and knotted through chin.