Carved wooden, crooked beak mask (parts a-b). The face (part a) has red and green flared nostrils with a central frill that curls down into the middle of the nose. The mouth (part b) is red, flat, protruding and was hinged to the head with thin rectangular pieces of leather. The face is black with white edging and detailing; black and red outlined eyes on a green, ovoid shaped background; brow is black. The inside of the mask is hollow. Attached to the top ridge are small tufts of cedar stripes. The mask is painted black, green, red and white with Northwest Coast stylized forms.

Carved, wooden, supernatural bird mask with a long beak and circular cutout nostrils. The beak is hinged with pieces of leather on either side, nailed to the jaw. The beak and nostrils are painted black with red edging and detailing. There is a red stylized U-form around the nostrils. The eyes are white, outlined in black on a white, ovoid shaped background; brow is black and there are three black U-forms along the back rim. Attached to the top of the head are short strips of cedar bark creating a fringe that sits on top and hangs over the opening. Attached with twine to the top, back and bottom rim is red and white twisted cloth. Strips of cedar line the bottom rim and dangle down to cover the body of the wearer. The inside of the mask is hollow with the exception of thick strip of fibre that lines the opening and an attached twine cord that assistants the beak in opening and shutting; cord is tied around a long, wooden handle. The mask is painted black, red and white with Northwest Coast stylized designs.

Small cylindrical coiled basket (bifurcated stitches), watch-spring base construction, overcast rim. Three rows, top and bottom double rows, middle is single, of beaded cherry bark.

Round, light brown basketry tray of simple coiled work with bifurcated stitches and watch-spring base construction. Slat sides and overcast, splint rim. Tray has coiled handles and is decorated with partial imbrication and beading. Two rows of discrete designs of v shapes in red/white/black separated by a line of red beading, three around the inner row and six around the outer row. One row of black beading near the centre. Stepped design in red beading on the outside edge.

Bentwood box base (a) and woven basketry lid (b). The base has a design on two of the wider sides of a band of incised diagonal lines along the sides and top. There are two holes in each narrow side. The lid is made of strips of cedar bark in a warp and weft weave with a wide lip. The edges of the lid are upturned and stitched down with thin strips of cedar bark.

Brown wood rattle consisting of two rounded pieces put together, each with a semi-cylindrical handle, creating a full rounded oval rattle nailed together on the handle. Along either sides of each piece, there is a hole to bind the two pieces together with white string and cedar bark fringes. Pieces are also bound together at the top with white string and cedar bark fringe. On one side, there are pencil sketches of ovoid designs.

Mask representing a frog with large bulbous eyes, a wide mouth with thick lips with painted crescent-shaped nostrils in red and white over the upper lip, and a movable jaw. There is a copper strip inside the mouth and the top and back of the head are adorned with a cedar bark fringe. Colours are red, green, white, and black.

Carved, wooden, raven headdress, or mask. Long beak with green, circular, cutout nostrils. The beak is hinged with wooden pegs. The beak is painted black with split U-forms, there is red edging and white detailing. There is a red stylized split U-form around the nostrils. The eyes are white, outlined in black on a green, ovoid shaped background; brow is black. Attached to the top of the head are short strips of cedar bark creating a fringe that sits on top and longer, twisted strips that hang down over the a piece of wood meant to hold the mask on to the wearer. There are a couple pieces of eagle down in the cedar. The inside of the mask is hollow with the exception of a rectangular piece of wood and an attached twine cord that assistants the beak in opening and shutting. The mask is painted black, red, green and white with Northwest Coast stylized designs.

Carved wooden, double headed Hamatsa mask consisting of crooked beak and raven mask joined at the back of each. Both have red, ovoid shaped cutout nostrils with red and white detailing around it. Both have a red mouth; one is long, narrow and protruding the other is flat, square shaped and protruding. On underside of crooked beak's lower jaw is a small carved thunderbird ? face with a beak that curves back into the open mouth; small bundles of cedar decorate the top edge of face. The eyes are black ovoids, outlined in white and red on a green ovoid shaped ground; the brow is black. The inside is hollow with the exception of twine which articulates the mask. Both masks have twisted cedar rope around the crown; crooked beak has cedar rope along the edge of the frill. Cedar bark and feathers decorate the top of both heads; tufts of eagle down intertwined. Attached to the top of the crooked beak are two black wooden horns that curl at the top; detailed with a red circle. The mask is painted black, red and white with Northwest Coast stylized forms.

Carved wooden head of a canine (possibly a wolf) with extended tongue. Extending backward and glued to this figure's neck are three paddle-shaped prongs. In cross section each prong is flat on the outside and convex on the inside. The join between the head and prongs is wrapped with a strip of red-coloured bark.