Worn during the winter ceremonial dances that accompany a potlatch feast, this mask represents the prestigious inherited privilege of a high-ranking individual. The layers of commercial paint reveal that this mask was repainted at a later date, perhaps to refurbish it when passed to a new owner, a hamat’sa society initiate dancer. Masks such as this one are still carved and worn in dances by Kwakwaka’wakw artists and inheritors of this privilege. Ironically, at the time of its creation, First Nations’ ceremonial practices, including the dancing and display of this headdress, were illegal under Canadian law. The artists working during those arduous years of forced assimilation and oppression are celebrated for carrying on traditions that continue in practice today.

Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art.

Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art. Collected: Axel Rasmussen

Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art. Collected: Axel Rasmussen

Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art.

Museum Purchase: Indian Collection Subscription Fund, Rasmussen Collection of Northwest Coast Indian Art.

Museum Purchase: Helen Thurston Ayer Fund.

Museum Purchase: Helen Thurston Ayer Fund.

Museum Expedition 1908, Museum Collection Fund

Cylindrical cork container (a) with light wood strap handle and lid (b) with an incised flower design. The exterior surface of the container is rough brown bark.