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Long Narrow Leg Band31.1975

Museum Expedtion 1931, Museum Collection Fund

Culture
Naskapi
Material
bead and hide
Holding Institution
Brooklyn Museum
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Moccasin with Beaded Floral Decoration26.796

Robert B. Woodward Memorial Fund

Culture
Blackfoot
Material
hide, cloth and bead
Holding Institution
Brooklyn Museum
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Moccasin with Blue,Yellow, White and Red Beading26.795

Robert B. Woodward Memorial Fund

Culture
Blackfoot
Material
hide, bead and pigment
Holding Institution
Brooklyn Museum
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Pair of Beaded Moccasins32.2099.32573a-b

Bequest of W.S. Morton Mead

Culture
Blackfoot
Material
bead and buckskin
Holding Institution
Brooklyn Museum
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Beaded Headdress32.2099.32578

Bequest of W.S. Morton Mead

Culture
Blackfoot
Material
bead, hair and paint
Holding Institution
Brooklyn Museum
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Child's Moccasin with Beaded Cross and Circle Design66.86.25

Gift of Mr. and Mrs. Jerome Blum

Culture
Blackfoot
Material
bead, sinew and cotton thread
Holding Institution
Brooklyn Museum
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Doll Wearing Complete Typical Costume of a Seminole Woman41.222

Fully dressed doll with a coconut husk base, beaded necklace and earrings.This type of doll was created extensively for the burgeoning tourist market during the ealry 1900s.

Culture
Seminole
Material
fibre, cotton, silk, bead and coconut husk
Holding Institution
Brooklyn Museum
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Beaded and Quilled Bag32.2099.32550

Bequest of W.S. Morton Mead

Culture
Blackfoot
Material
bead, buckskin, quill, muslin, tin, horse hair, sinew and cotton thread
Holding Institution
Brooklyn Museum
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Women's Ceremonial Belt (wa-to)08.491.8925

Mrs. Ann Barber, the Maidu owner sold this belt to the Museum curator Stewart Culin. According to another Maidu informant, Mrs. Azbil, when she came into the country everyone of any wealth and importance had a belt. People could marry with them. The man gave it away. They also wore it in the War dance and this was the only way a man used it because it actually was a women's belt. This particular belt had been given to Mrs. Barber by her first husband, Pomaho, who married her with it. When he died it became hers and she was criticized for not burning it. The belt would be wrapped around the waist of the dancer twice for the Hesi, Toto of Kenu dances. The patterns on the belt mirror those used on baskets. The red triangles are composed of the scalps of twenty-five woodpeckers and are called grapevine leaves. The two narrow strips, composed of duck feathers, were named after the tongs used to lift the boiling stones out of the baskets when boiling mush. The knot of the belt where the threads come together is called the navel. Feather belts were the supreme Maidu representations of wealth and as such were prime candidates for destruction at death of the owner. Thus they are rare.

Culture
Maidu
Material
bead, mallard duck feather, acorn woodpecker feather, glass, hemp ?, jute ? and cotton cordage
Holding Institution
Brooklyn Museum
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Garter50.67.37c

This garter is loom woven probably without the use of a heddle. The warps and wefts are thread and made with small seed beads. It has a repeated motif of eight-pointed yellow stars with white centers, outlined in blue, red, and clear beads on a blue and cloudy white background. See other garters 50.67.37 a,b,d.shown in additional potograph.

Culture
Chippewa
Material
crewel yarn, glass bead, seed bead and thread
Holding Institution
Brooklyn Museum
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