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Kachina Doll2010.6.14

Great Horned Owl (Mongwu) Kachina Doll with removable mask. Artist probably Henry Shelton based on stylistic characteristics. The unusual, removable owl mask has real feathers and fur on a carved helmet style mask. Yellow circular eyes and yellow beak. The entire Kachina figure without the mask has been carved from one piece of cottonwood root and appears fairly static with PR hand raised and other arm straight down and both legs on the ground. Each hand carries some plants of green stalks with white tips. He wears a carved kilt and has a real hide cape that crosses with a strap in the front and is decorated with shells. The boots are painted on and he wears yarn and hide ties at their tops. The face of the Kachina is painted white with strong features. He has short black hair. He wears a beaded blue and white necklace. Dynamism is achieved when the mask is put over the head. Mongwu appears singly during mixed Kachina night dances (Angka'wa) usually in March. The fur and feathered mask of Mongwu, the Great Horned Owl, is removable on this kachina. Underneath is revealed the intense face of the dancer as seen in the photo. Mongwu performs the role of a sergeant. He carries a whip to indicate he is a discipliner, protector and overseer of the other kachinas. He closely watches the Mudhead kachinas and if they become too rowdy he disciplines them. He appears singly in March night dances where the purpose is to create a pleasant atmosphere for life, encourage growth and bring rains so it is important to maintain a harmony.

Culture
Pueblo and Hopi
Material
cottonwood root, acrylic pigment, hide, feather, fur, yarn, bead and shell
Holding Institution
Brooklyn Museum
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Pair of Chief's Fringed Dress Leggings50.67.5b-c

These leggings very early pre-1830s Blackfoot. Bits of ermine weasel remain attached to the fringe. Beads are all larger pony sizes.

Culture
Blackfoot and Piegan
Material
hide, bead, red cloth binding, ermine fur and pigment wood
Holding Institution
Brooklyn Museum
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Pair of Leggings46.78.4c-d

Henry L. Batterman Fund

Culture
Great Lakes
Material
cotton, bead, metal snap and brass button
Holding Institution
Brooklyn Museum
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Woven, Beadwork Headband43.201.50

It is possible that this was a school piece made as an exercise or under supervision because this type of loom work was done under Mission Schools around the Great Lakes. Loom woven with cotton thread is an 8-point star pattern in pink, blue, yellow, red and navy. The design looks like it came from a pattern book and is not finished.

Culture
Great Lakes
Material
bead and hide
Holding Institution
Brooklyn Museum
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Beaded Knife Sheath, Part of War Outfit26.789

Robert B. Woodward Memorial Fund

Culture
Oglala, Lakota and Sioux
Material
hide, bead, metal and sinew
Holding Institution
Brooklyn Museum
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Chief's Dress Shirt50.67.5a

This shirt is very early, pre 1830s Blackfoot. The fringe along the sleeves and shirttail is the remnants of ermine and bits can still be seen. The painted figures of people are probably indicative of dead people or people the warrior killed. Should be called a War Shirt not a dress shirt. The quillwork is bird quill. Quillwork is similar to Mandan Hidatsa. Sometimes dots that are rounded indicate hailstones but then they are organized in a scattered fashion more like splashes. There are many anomalies in the quill/bead design.

Culture
Blackfoot and Piegan
Material
hide, quill, hair, bead, pigment, cloth and cotton thread
Holding Institution
Brooklyn Museum
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War Club, Part of War Outfit26.787

Robert B. Woodward Memorial Fund

Culture
Oglala, Lakota and Sioux
Material
stone, hide, pigment, nail, cloth and bead
Holding Institution
Brooklyn Museum
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Kachina Doll2010.6.6

Butterfly Girl (Polimana) Kachina. This Kachina has a body carved from one piece of cottonwood root. She wears a large, rayed headdress painted brilliantly with blue, yellow and red stripes and black dots that indicate pollen on the front. The back of the headdress is red with a cluster of feathers on the back of her head and three braided yarns, one each, red, green, white hanging down the back. She stands on both feet and raises her PR arm holding two feathers in each hand. Her clothing is also all carved. She wears a blue dress with darker blue apron with red and green bands on the bottom and a red sash with a broken diamond pattern. She has a short white shawl with red edges around her PL shoulder. Butterfly Girl appears during Angk'wa (night dances). It is a series of colorful dances usually performed with four pairs of maidens and male partners (all kachinas portrayed by males). The Angk'wa is sponsored by a kiva to promote all life-growth.

Culture
Pueblo and Hopi
Material
cottonwood root, acrylic pigment, feather, yarn and bead
Holding Institution
Brooklyn Museum
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Pair of Leggings beaded with floral and foliate designs26.33a-b

Robert B. Woodward Memorial Fund

Culture
Nez Perce
Material
bead and cotton
Holding Institution
Brooklyn Museum
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Kachina Doll2010.6.4

Rooster (Takawee)Kachina Doll Kachina body totally carved from one piece of cottonwood root. He has a muti-striped face and helmet type mask, black slit eyes and a yellow bird beak. He has a bare chest painted yellow on the PL side and blue on the PR. He wears a white cape, and holds a rattle in his PR hand and plant fibers in his PL hand. He wears a beaded necklace and jingle bells on the bands on top of his boots. This type of Kachina dates to the post-Spanish era when the Spanish brought chickens and roosters into the Hopi territory. Rooster Kachina may appear during winter kiva dances.

Culture
Pueblo and Hopi
Material
cottonwood root, acrylic pigment, yarn, feather, metal bell, bead and plastic
Holding Institution
Brooklyn Museum
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