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Horsehair Pendant43.201.178.1

Hair lock bundle with beaded fob end.

Culture
Sioux
Material
horse hair, hide and bead
Holding Institution
Brooklyn Museum
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Beaded and Fringed Bag32.2099.32543

Bequest of W.S. Morton Mead

Culture
Cheyenne
Material
leather, bead and metal
Holding Institution
Brooklyn Museum
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Fan11.694.8987

Osage name by curator Stewart Culin may not be accurate. Fan is made from the tail feathers of a winter hawk. Large hawks have 12 feathers; small hawks have 10 feathers in tail. According to Sean Standing Bear 10/20/2000 this fan is missing its center feather. The handle is woven with dyed porcupine quillwork with a row of blue and white beads along each edge.

Culture
Osage
Material
hide, eagle feather, porcupine quill, bead and pigment
Holding Institution
Brooklyn Museum
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Saddle BagX1126.44

Brooklyn Museum Collection

Material
hide, bead, sinew and cotton thread
Holding Institution
Brooklyn Museum
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BeltX105

Brooklyn Museum Collection

Culture
Cheyenne
Material
hide and bead
Holding Institution
Brooklyn Museum
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Drawstring Bag43.201.283

No specific tribal designation, probably Plains This is made from commercially tanned cowhide, sinew sewn, with metal tinklers and glass beads.

Culture
Plains
Material
buckskin, tin, bead and sinew
Holding Institution
Brooklyn Museum
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Leggings and G String11.694.8986

Blue wool leggings with ribbon work in blue, green, red, purple, gold, and beige. "G-String" was curator Stewart Culin's name for a pubic covering. Such an object is missing and is not in any written record so no description can be made.

Culture
Osage
Material
cloth, ribbon and bead
Holding Institution
Brooklyn Museum
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Miniature CradleX1126.11

Brooklyn Museum Collection

Material
bead, deer hide, stroud cloth, brass stud and wood
Holding Institution
Brooklyn Museum
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Strap Dress with Red and Green Embroidery50.67.2

This dress is composed of four sections of very white and pliable skin, probably employing at least two deer or caribou hides. Two large pieces of skin were sewn together to form the front and back of the dress and the upper edge of the skin is turned down as a long graceful flap to the waist. Two smaller pieces of skin are added to serve as shoulder straps. The entire dress, including the quillwork, is sewn together with thread. The seams that join the two major sections are fringed. Fringe near the shoulder is clipped very short so that it appears "pinked" and the fringe at the bottom of the dress is wrapped with orange and blue porcupine quills. The decoration of the shoulder straps is somewhat unusual as it differs from front to back. Scallops terminate the straps on the dress' front' while fringes decorate the shorter ends of the straps at the back. The straps are also decorated with a row of tiny black beads that edge the sides of these straps and surround the three scalloped lobes on each. Pairs of black beads in a double row decorate the section of the strap that intersects with the low neck line. Each scalloped portion of the straps is also ornamented, right and left, with bows made of hide strips wrapped at intervals with orange and light blue quills. Similar string-like ornaments are also attached at the proper right side of the front flap and the proper left side on the black flap. Quillwork strips across the body of the dress are in green, black, brown, white, reddish orange and light blue. Black seed beads and blue pony beads are applied as a scalloped border on an added piece of skin near the hem of the dress and tin cones are suspended in pairs from the apex of each of these beaded curves by thin hide strands wrapped at intervals with orange quills. See Jarvis report in Arts of Americas files.

Culture
Yanktonai, Nakota and Sioux
Material
emulsion cured buckskin, dyed porcupine quill, glass bead, tin, copper tinkler, thread, sinew and pigment
Holding Institution
Brooklyn Museum
View Item Record
Pair of Moccasins46.96.8a-b

Charles Stewart Smith Memorial Fund

Culture
Sioux
Material
bead, porcupine quill, hide and plant fiber ?
Holding Institution
Brooklyn Museum
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