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Man's Ceremonial Dance Headdress08.491.8693

This headdress was worn perpendicularly at the back of the head, not vertically on the crown, as is common with Native American headdresses of very similar style worn by the Yokuts of Central California. In general structure it resembles Pomo headdresses. Supplementary files: "Dance headress for a man; brown straight feathers rise out of a ruff of soft feathers. A quill pendant hangs from the front of the ruff. Condition: good."

Material
magpie feather, red-shafted flicker quill, goose quill, clamshell bead, glass bead, cotton cord, plant fibre twine and willow rod
Holding Institution
Brooklyn Museum
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Peyote Rattle11.694.9059

Culin purchased this rattle from Saucy Calf who explained the symbolism to Francis La Flesche. It would have been used in what is now the Native American Church. The gourd is painted with a zigzag line of red paint that represents the crown of thorns. The handle is worked with beads that represent lightning, divided into two parts by a band in the middle. The lower part of this band represents earth and the upper the sky, illustrating man ascending into heaven. The metal attached to the handle reads, “Behold the heart of Jesus is with me."

Culture
Osage
Material
gourd, glass bead, metal, feather, brass metal, sinew, nut ?, seed ? and cork
Holding Institution
Brooklyn Museum
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Tailored Jacket43.201.107

Shirt style jacket with a beaded pocket and cuffs. This might not have been made by Native artist as has no stylistic attributes. The beadwork around cuff and pocket do not match.

Culture
Plains
Material
hide and bead
Holding Institution
Brooklyn Museum
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Pair of Leggings beaded with floral and foliate designs09.798a-b

Brooklyn Museum Collection

Culture
Nez Perce and Red River Metis
Material
bead, leather, wool, metum and cotton cloth
Holding Institution
Brooklyn Museum
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Stuffed Doll with Two-piece Dress, Boots and Beaded Barette50.67.32

Henry L. Batterman Fund and the Frank Sherman Benson Fund

Culture
Apache, White Mountain and Mescalero
Material
cloth, hide and bead
Holding Institution
Brooklyn Museum
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Woman's Beaded and Fringed Wedding Dress36.31

Woman's wedding dress of caribou hides with the fur on the inside of the costume, long sleeved with a hood. It is decorated with bead design on the front bib, epaulets and hood in blue, white, red, yellow and other colors. It has fringes on the epaulets and hood of white, blue, red and yellow with beads and teeth. The bottom edge which is curvilinear has a hide fringe. Three wooden amulets are suspended from the neck.

Culture
Inupiaq Eskimo and Yup'ik Eskimo
Material
caribou hide, caribou tooth, wood and bead
Holding Institution
Brooklyn Museum
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Beaded Cradleboard50.67.33

Henry L. Batterman Fund and the Frank Sherman Benson Fund

Culture
Apache and White Mountain
Material
wood, hide, tin and bead
Holding Institution
Brooklyn Museum
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Beaded Belt, Part of War Outfit26.790

Robert B. Woodward Memorial Fund

Culture
Sekani, Oglala, Lakota and Sioux
Material
commercial hide, bead, nail, metal and sinew
Holding Institution
Brooklyn Museum
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Hair Extensions26.758

Culture
Blackfoot, Oglala, Lakota and Sioux
Material
human hair, cotton and bead
Holding Institution
Brooklyn Museum
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Octopus Bag08.491.8896

Made entirely from trade materials, these distinctive cloth pouches were accessories for ceremonial clothing. They were called octopus bags because of their tentacle-like fringes. Some of the Tlingit designs may have been influenced by proximity to the Athabascan groups to the east. The reverse of the bag is plain.The pouch has four double fringe "arms" and a black wool strap.

Culture
Tlingit and Gwa'sala Kwakwaka'wakw
Material
wool, cotton and glass bead
Holding Institution
Brooklyn Museum
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