Gift of Captain Homer T. Shaver.

Collection of the Portland Art Museum.

The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.

Feathered baskets were an important trade item and a symbol of wealth among the Pomo. They were considered appropriate gifts at special occasions and were used as offerings at funerals and mourning ceremonies. The brightly colored feathers, added to the basket as it is made, provide a design mosaic, while the basketry foundation is left plain. Flat saucer-shaped hanging baskets, like this one, were originally decorated only in red feathers. The addition of other colors and patterns was an innovation that began around 1900 as a reponse to collectors' wishes. Handmade clam shell beads added around the rim along with triangular pieces of abalone shell as pendants increased the traditional value of the basket. Magnesite beads were sometimes used as an alternative to clam shell beads. Referred to as "Indian gold," magnesite is white when it comes out of the ground. Pomo men would ceremonially heat it over a fire - causing the magnesite to turn a golden orange color - before working it into beads.

The Pomo are seven distinct cultural groups that historically occupied the California coast from south of the Russian River northward to the Fort Bragg area and inland to the region around Clear Lake. Although the Pomo made a variety of baskets, they are best known for finely coiled baskets such as these. The basket on the left is constructed with a three-coil foundation. The woven designs on Pomo baskets are usually geometric; figurative designs are rare. Pomo weavers often add feathers and clam shell beads as further ornamentation. The dark plumes are quail topknots, frequently used as accents around the basket rims. The red feathers, from the acorn woodpecker, are very fine; each tuft on the basket is made of several feathers that have been twisted together.

By the mid-eighteenth century horses had spread throughout the Plains region. As Plains Indian peoples became expert horsemen, they began to create a variety of trappings for their horses. Derived from Spanish pack saddles, pad saddles were commonly made by peoples of the northern and northeastern Plains such as the Plains Cree. Pad saddles are usually rectangular or oval tanned leather tubes stuffed with grass or moose hair. A band of tanned leather sewn across the middle provides an attachment for the stirrups. Floral beaded decoration covers the corners, from which hang beaded panels that are often further embellished with yarn tassels.

The Elizabeth Cole Butler Collection.

The Elizabeth Cole Butler Collection.