Large dance mask (part a). The wooden mask is oval-shaped, and painted black. Rectangular holes are cut for both the eyes and mouth. Surrounding the mask is a large amount of plant material simulating hair, which is attached to both the mask and wooden frame. The mask is adorned with a headdress consisting of a red woven band, three rows of small circular shells, a single row of cone shells, the remnants of a row of red feathers, and topped with rows of black feathers. A wide strap of plant fibre extends back around the head, and is decorated by four shells on each end. A rattan frame extends down to each side of the mask, with woven fibre and strings of shells attached. Three similar dance wands (parts b-d) of red feathers and bird skin, one of which is still mounted on a wooden handle (part b). An ornament (part e), composed of three pieces that are tied together - a bundle of black feathers, a wrapped stick with a piece of bone, feathers and metal, and another pointed stick piercing a ball-like decoration.

Neck ornament composed of six pieces of skinned birds. At centre, the longest skin with short, ruffled feathers attached to more skins by twisted fibres tied at either end. One side has two small colourful bird skins with feathers and one larger mostly black with a yellow band and some red, which matches the two skins tied to the other end of the central piece.

Neck ornament composed of six pieces of skinned birds with feathers. At centre, the longest skin with short, ruffled feathers attached to more skins by twisted fibres tied at either end. One side has four small yellow, black and red bird skins. The other side has six small skins, three which match the other side, one black and white spotted, and the last two black and yellow stripes with red accents.

Neck ornament composed of seven pieces of skinned birds. At centre, the longest skin with short, black ruffled feathers attached to more skins by twisted strings tied at either end. One side has two larger mostly black with a yellow band and some red, and a smaller yellow and orange skin with red and black accents. On the other side, three different skins are attached: vibrant teal and black spotted; black and yellow striped and a small hummingbird(?) skin black with vibrant teal and blues. One strand of fibre is dyed burgundy, and twisted together with off-white.

Neck ornament composed of six pieces of skinned birds. At centre, the longest skin with short, ruffled feathers attached to more skins by twisted fibres tied at either end. One side has one small colourful bird skin and two larger yellow, orange and red with some black, which matches one skin tied to the other end of the central piece. The other skin on the second side has longer tail feather and is mostly black with a yellow band and some red. A small silver-coloured nail holds the string in place.

Ornament made of the feature feathers of a Bird of Paradise, as well its breast feathers, still attached to the skin. Two sets of long, fine, light brown feathers hang from the skin of the throat, which is covered in shorter, dark brown feathers. The bird’s lower beak is folded over and resting within a cavity between the sets of feathers.

CHIEFLY FEASTS: THE ENDURING KWAKIUTL POTLACH. JONAITIS, ALDONA EXHIBITION CATALOG, 1991 THE KWAKIUTL OF VANCOUVER ISLAND. BOAS, FRANZ MEMOIRS, 8, 1909

GARDNER'S ART THROUGH THE AGES: A GLOBAL HISTORY, ED. 14. KLEINER, FRED S., 2012, Publisher: CENGAGE LEARNING, 14 EDITION CHIEFLY FEASTS: THE ART OF THE POTLATCH. FREED, STANLEY A., 1997, Publisher: POMEGRANATE NORTH AMERICAN INDIAN. MURDOCH, DAVID, 1995, Publisher: EYEWITNESS BOOKS - ALFRED A. KNOPF CHIEFLY FEASTS: THE ENDURING KWAKIUTL POTLACH. JONAITIS, ALDONA EXHIBITION CATALOG, 1991 THE KWAKIUTL OF VANCOUVER ISLAND. BOAS, FRANZ MEMOIRS, 8, 1909