Shells forming an image of a face. Hanging below the face, there are feathers attached at the bottom of vegetable fibres and which are free from the red cloth above it. Boar's tusks are attached by vegetable fibres above the face. Cowrie shells are woven on. Feathers are woven into the fibre.

Halves of boar tusks tied together with fibre. Two pieces (parts a-b), both consist of two split halves bound together with fibre. One piece (part a) is tied together with brown fibre while the other piece (part b) is tied together with light cream-coloured fibre. One piece (part c) is only one split half.

Half of a cream and brown coloured boar tusk.

Oval human face painted with designs in ochre and grey and white paint. Tusks in nose. Bamboo hanger at top. Evenly spaced holes at rim around cheeks and lower jaw. Hole at center of one tusk, on left side.

Boar tusks attached together by cord, in the form of a crescent shape, with cut pink shell "buttons" used to decorate the cords. Seeds are strung together and hung from the top of the tusks.

Carved wooden mask, oval in shape with pointed ends. The face has an elongated forehead, an exaggerated brow, a protruding nose with stretched septum that holds a decorated plug. The mouth is small, open and protrudes slightly. The cheeks are incised with a spiral tattoo design while the top of the forehead is engraved with a triangular, geometric pattern. There are two boar tusks joined together with twine that runs through the nose and sits near the corners of the mouth. Small bands of small and large, disc shaped shells decorate each side. The mask is painted with dark orange pigment while the eyes are painted white with black sockets.

Intricately pyro-engraved gourd container with boar tusk stopper. The design wraps around the middle of the gourd with repeating designs of spiral patterns with ends that meet to create a 'v' or point. Above the v is a small circular design which connects to each spiral design. Between the designs are concentric circles. The designs are set in between horizontal bands. The lid is composed of coiled plant fibre wrapped with a small woven yellow and black checkerboard pattern around the exterior and a boar tusk inserted at centre.

Boar tusk armband, with small bulul figure (rice deity). The main armband section is made of curved boar tusks, with the ends attached together using rattan basketry strands, to form a circle. At one side of the band, a small male wooden figure is attached, using rattan strands threaded through holes in the base and around the legs. The figure is in a sitting position with his knees up. The figure has a round bundle of black and grey feathers projecting upward from his head.