Bronze representation of a Northwest Coast human face mask, attached at a 45 degree angle to a black with white speckled stone base by two bronze screws located on either side of chin; screws fit into holes drilled into base; hammered finish; uneven dark patination. Face is finely defined except eyes, brows clearly delineated, convex eyes, flat nose with defined nostrils; prominent mouth with continuous lip band. On reverse, signed J. David.

Bronze oinochoe with a flat, slightly raised ring base. Neck is separated from body by a marked shoulder. Short, narrow neck; large, flaring trefoil mouth. Large, narrow, concave handle curves inwards above rim before falling vertically to shoulder; terminates at base.

Hollow sheet bronze figure, filled with clay(?), base closed with sheet of same metal fastened with tabs and sealed clay. Male figure is seated cross-legged on double lotus base, hands in lap, palms up, right hand over left with thumbs touching; smiling with eyes open. Yellow-brown patina; face, feet hands and elaborate headdress are gilded. Headdress, earrings and draperies are from separate pieces of bronze stapled to figure. Back of headdress is painted red and blue; red and green paint in circles represent jewels. One drapery is detached; headdress is bent.

Anklet of irregular shaped bronze (?) beads threaded together tightly on a strand of twisted cotton threads.

Anklet of irregular shaped bronze (?) beads threaded together tightly on a strand of twisted cotton threads.

Round, flat metal mirror with a flat, rectangular handle. Silver on one side; the other side is bronze decorated with a border of clouds; landscape at bottom near handle; centre landscape has water, tortoise, mountain, chrysanthemums and a pine tree; two circular lines surround the landscape; calligraphy at side on left translates as "Fujiwara Mitsumasa." Mirror is meant to go with Ed5.2889 d.

Cast bronze, hollow female head. Tall curved conical cap with an uneven crisscross pattern. Small raised crosses with rods extending from the centre at extreme top, at forehead, sides and rear. Three raised scarring dots above each eyebrow. Hair in rows falls below cap. Raised ears, nose, and mouth. Sunken eyes with incised pupils and lashes. Rings around neck. Small base with incised edges. Unpolished dark brown surface.

Square, slightly concave cloisonne enamel plate with bronze rim. Underside is covered in solid, slightly speckled dull finished blue/green enamel, with single ring foot of bronze. Upper surface has design of 3 bunches of flowers (red, yellow, and light red, all mixed with white) one above the other, with green leaves, the lowest being next to an irregular brown, grey, and light purple shape. All are on black background through which are scattered brass zigzag wires.

Ellipsoid, hollow bronze incense burner on single ellipsoid foot. On base is rectangle enclosing square seal-type characters. Sides unadorned below mid-section but have 3 round holes. Raised band around perimeter; flat projections shaped like half-ellipses on each side. Mounted on top is a hinge; half the top is cut free and hinged so it can be inverted; on underside of this is spike 2.3 cm. long. Top perforated with 5 holes; top and projections inlaid with 5 strips of lighter metal in cloud patterns. Bronze has dark brown patina, nearly black on top.

Nearly spherical incense burner (a), on three cylindrical feet, each 1.5 cm high. At each side are handles shaped like elephant trunks (?), between which, on one side, is a raised design of flowers and birds; on the opposite side is a tree. Burner has a straight neck and a flat rim. Lid (b) has vertical projecting ridge which fits inside burner, and flat flange. Lid is hemispherical, perforated in cloud (?) design, with animal figure serving as handle. Burner and lid have yellow brown patina with dark brown and black areas.