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Mask, Raven Of Kwewoxa'we16/8533

CHIEFLY FEASTS: THE ART OF THE POTLATCH. FREED, STANLEY A., 1997, Publisher: POMEGRANATE CHIEFLY FEASTS: THE ENDURING KWAKIUTL POTLACH. JONAITIS, ALDONA EXHIBITION CATALOG, 1991

Culture
Kwakwaka'wakw
Material
wood, pigment, metal, rubberized canvas cloth, string, feather and hide
Made in
British Columbia, Canada
Holding Institution
American Museum of Natural History
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Flat Bag2012.126.60

The Elizabeth Cole Butler Collection.

Culture
Plateau
Material
glass bead, canvas and cotton lining
Holding Institution
Portland Art Museum
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Flat Bag2012.126.59

The Elizabeth Cole Butler Collection.

Culture
Plateau
Material
glass bead and canvas
Holding Institution
Portland Art Museum
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Belt2012.126.52

The Elizabeth Cole Butler Collection.

Culture
Interior Salish and Nez Perce
Material
glass bead, canvas and metal clip
Holding Institution
Portland Art Museum
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Vest2012.126.20

The Elizabeth Cole Butler Collection.

Culture
Interior Salish and Kutenai
Material
glass bead, canvas and wool
Made in
“Plateau and Western Oregon” ?
Holding Institution
Portland Art Museum
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After Boarding School: In Mourning2012.100.1

Museum Purchase: Funds from Native American Art Council.

Culture
American, Modoc and Klamath
Material
oil and canvas
Holding Institution
Portland Art Museum
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Cuff2012.97.30a,b

The Elizabeth Cole Butler Collection.

Culture
Plateau
Material
glass bead, hide and canvas
Holding Institution
Portland Art Museum
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Horse Cuff2012.97.26

The Elizabeth Cole Butler Collection.

Culture
Blackfeet
Material
glass bead, hide and canvas
Holding Institution
Portland Art Museum
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Kachina Doll (Salamopea Thleana)03.325.4662

Museum Expedition 1903, Museum Collection Fund

Culture
She-we-na
Material
feather, canvas and cotton
Holding Institution
Brooklyn Museum
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Kachina Doll2010.6.2

Crow Mother (Angwusnasomtake) Kachina Doll. Female figure carved from one piece of cottonwood root she leans slightly forward and holds both arms out carrying a bundle of sticks. Her headdress is large and dramatic with rayed feathers on either side of a bright blue helmet style mask with slender blue horns. The front of the mask has a large upside down, black triangle with a smaller one under it. Across the top and down the sides of the mask is a braided yellow and red yarn. There is a fur ruff around her neck. She wears a long dress made from cotton and trimmed with red and green yarn with a white braided yarn sash. She has a white, canvas mantle around her back and wears carved white boots. Crow Mother performs many roles and functions. She participates in the initiation blessings of children 10 - 15 years old, guides the whipper (punishment) Kachinas who are considered to be her children. Aggressive in temperament she is very active insuring that she will get attention and that her messages about the importance of the Kachina culture will be heard by the initiates. She appears during the Powamuya- purification ceremonies in February. Note the Kachina is portrayed by a man.

Culture
Pueblo and Hopi
Material
cottonwood root, acrylic paint, feather, stick, yarn, canvas, cotton and fur
Holding Institution
Brooklyn Museum
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