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Carved wood spindle whorl.
The whistle is in the form of a human face with an open mouth and the instrument is likely to have been used during the Hamatsa initiation ceremony. Cotton cord is wrapped around the "neck."
The sculpture is an oversized standing wood figure called a speaker figure that would have been placed outside a house where, through its hollow mouth, the chief's orator would make announcements for the community. The figure stands with its arms attached to its body and arms and legs bent. The head is oversized in proportion to the body and the neck is short. Wide bands of black eyebrows overhang large almond-shaped eyes. Nose is long and triangular; mouth is large and open. On the chin is a carved and painted goatee. Condition of object is fair. Surface wear overall with spongy wooden areas throughout. Second photograph is the figure in situ in the village in Smith Inlet.
This bentwood corner bowl was made by the distinctly Northwest Coast process called kerfing. A single plank of wood is first trimmed, notched , steamed and bent. The bottom and sides were then pegged or sewn together with tree root. Finally the bowl is decorated with carving, painting and adding operculum shell trims. The large bowl would have been used for dried food. The abstracted design on the sides represents a killer whale.
This is a conical type wooden hat with a separate piece of a sculpted man wearing a status hat inserted into the front. The figure has an open mouth with white teeth. The underside of the "hat" is actually not hollowed out so it could not be worn down over the head but it could have been perched on top or only used as a sculptural piece.
Frank L. Babbott Fund
This blanket is very early and possibly Tshimshin in origin. Ceremonial blanket with black, blue, yellow and white design probably the "Diving Whale." The head of the whale with his nostrils is at the bottom, the center face is his body with his 'spirit' inside it, the tail flukes are spread out on lower section also with eyes inside. The front flukes flank the head.The side panels (not shown in photograph) are probably a young raven. Although very worn this is a very finely woven, old robe with no commercial elements in it. There is an artist signature in the weaving by the side fringe. This is possibly the same robe depicted in G.T Emmons, "The Chilkat Blanket," AMNH Memoirs, Vo. 111. part 1V, fig. 568B. Source for design and weaving information, Cheryl Samuels, "The Chilkat Blanket," Pacific Search Press, Seattle, 1982. See also her dedication page where signature of weaver is given , appears to be the same as this blanket.
Cedar wood, unpainted. Rear, hollow concavity. Original pole cut in half. Top half (a): Design - plain, tapering cylinder at top, two main figures and part of a third. Upper figure - raven with two subsidiary motifs (crescent across chest and upper wings, a small head and hands peering over the crescent). Raven beak, separate piece of wood. Lower figure - top half of a humanoid with large head above upturned flukes which are grasped in its hands. Fragment of third figure - upturned flukes (whale-like, cut off at tail). Bottom half (b): Design - upside-down humanoid, large animal (bear?) holding a small creature (frog?) to its mouth. CONDITION: Pole cut in two, evidently before arrival at the Museum.
The object is a coiled, burden basket with imbricated geometric figures. There are some outer surface losses of light colored fibers. Overall condition good.
This is a house post made of cedar wood, dark and unpainted. Two figures: supernatural bird, probably a thunderbird, holds a small humanoid figure to its chest area in front of a shield called a "copper". The Supernatural bird has a beak as well as humanoid ears and mouth. The frontal figures are carefully carved in high relief. The back is roughly carved and relatively flat. Condition is generally the best in a set of 4. (see 11.700.2-.3-.4) There are several cracks that include many large vertical cracks, abrasions, losses, scratches, and surface wear. In some areas the wood is weak due to rot and insect damage. There are iron hooks on the back, top and bottom, evidently from a former mount.