Long, wooden rectangular panel with a wooden notch at top. The front has a carved representation of a grizzly bear painted dark red and black. Written on the back, in pencil, are "GRIZZLY BEAR", "Reid", and the number six.

Long, wooden rectangular panel with a wooden notch at top. The front has a carved representation of a dogfish, painted dark red and black. On the back there are three patches of carved lines. Also written on the back, in pen, are DOGFISH, an encircled number four, and two "Reid" signatures.

Long, wooden rectangular panel with a wooden notch at the top. The front has a carved representation of a beaver, painted dark red and black. On the back there is a small sketch and an encircled number five in pencil, as well as "BEAVER" and "Reid" written in pen.

Tall cylindrical twined basket.

Small canoe bailer made of cedar bark with wooden handle. Outer bark on exterior surface, but removed from ends which are pleated and tied to the wooden handle. The ends are secured with white cotton string which has been covered over with red cherry bark. An off-white coloured plant material, possibly yellow cedar bark, has been wrapped loosely around the length of the handle in the manner of a decoration. Small wooden splints have been inserted between the inner and outer bark, two on each side, to keep the edges straight.

Wooden, carved, supernatural bird mask with a long beak and circular cutout nostrils. The beak is hinged with fibre twine on either side; the beak is now fixed shut. The beak and nostrils are painted black with red edging. There are two red split U forms and one orange U-form carved at the back of the beak running towards the nostril. The eyes are white, outlined in black on a white, ovoid shaped background; brow is black. Attached to the top of the head is a fringe of cedar bark; pieces of braided cedar line the bottom rim. The inside of the mask is hollow with the exception of an attached twine cord that assistants the beak in opening and shutting. The mask is painted black, red, white and orange with Northwest Coast stylized designs.

Top hat style woven cedar bark hat. Bands of flat strips of cedar on the brim and sides of the hat and covering the top of the hat. Smaller strips of a lighter colour run in bands around the brim of the hat and its sides. The brim is slanted downwards and the top of the hat is concave.

Five-sided chilkat style robe with a curved, beige fringe of mixed wool and cedar bark along the bottom edge. Central area of geometric, ovoid and animal(?) face designs is bordered by a thin white line, then a wide yellow band, then a thin white line, then a wider dark brown (faded black) band - around all sides. Mixed wool and cedar bark warp. Front of blanket is faded; back of blanket shows original colours.

Rectangular-shaped carrying basket, plaited with red cedar strips. Thinner strips of cedar are woven horizontally in bands. Two long, twisted cedar-strip handles are attached on either side.

Sculptural installation in the form of two very large lahal sticks. Each is installed vertically, and rotates on a central axis. The 'male' stick (part a) has a wide copper band around its centre, with the Royal Proclamation of 1763 acid-etched into it. The 'female' stick (part b) has 5 copper inlay hands, each with a year acid-etched into it. Both have carved hands protruding from the main post - one pair of hands extend palm-up in the lower area; 8 fisted hands extend out, around the post, above the central area; one hand points downward from the upper area. Both sticks also have two colour-stained, wood veneer bands at each end, with inlaid abalone figures between them. The 'male' stick has 2 crown and 2 jester hat shapes between the top bands, and 2 trees and fish between the bottom bands. The 'female' stick has 2 trees and fish between its top bands, and 3 pairs of sticks between the bottom bands.