A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red designs visibly cover the entire surface. Cedar bark stitching and/or the attendant holes at both ends of board. Nail holes irregularly spaced around the outer edges. Underside is covered in uniform chisel marks, with an encircled number ten inscribed in bright pink near one end. Rectangular indentations at both ends on the underside.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; only small portions of the designs are visible. Several longitudinal splits. Wood in the centre and towards one end is rotted with material missing. Many nail holes. Underside is covered in chisel marks and longitudinal gouges.

A long rectangular cedar plank with faded black and dark red Northwest Coast designs imprinted in the surface of the wood. Rectangular incision near the top and bottom of the plank that has cedar bark stitching embedded in it. Rectangular indentation on the back near the bottom and top of the board.

A long rectangular cedar plank with deep red and black faded Northwest Coast designs imprinted in the surface of the wood. Bottom edge is slanted. Rectangular indentation on the back of the plank at either end. Two rectangular carved sections at the top and bottom of the piece inset with cedar bark. Two indented notches at the top and the bottom of the piece on the back.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood near the centre in a diagonal fashion. Orange coloured patch near centre of the wood at one side. Black coloured designs are more visible near centre and the bottom of the piece. Long indentation down the centre of the top of the board. Four prominent knots in wood, two near the top and two near the bottom. Small horizontal groove at the top of the board with cedar cording embedded in the middle. Two rectangular notches in wood at bottom of board. Top edge of board is cut on a slant. There are evenly spaced rectangular carved sections are located on the edge of the piece to one side. Across the top and bottom of the board there is a long rectangular cut.

Wood and glass sculpture consisting of two parallel glass panels with glass bases (parts b-c) that sit in a fitted depression on the wooden disk (part a). A pale green ribbon of rippled wood passes between the glass and is bolted to the wooden disk below. The panels are green glass, each with a frosted etching of a Maori-type paddle, with salmon and hammerhead shark motifs. Images in each panel are symmetrical in shape, and similar in design. Glass bases point away from each other. Glass panels have rippled edges.

Wooden thunderbird headdress with an orange beak, red mouth and nostrils, and black, white and red ears and face. Top edge of headdress is ringed with braided brown and dyed, red cedar bark. Top of headdress between the two ears are tightly packed vertical strands of brown and red cedar bark and brown and white feathers.

A rectangular wood box on a flat base with a lid (part a) that fits on top. The sides of the box and lid are painted with red and black stylized creatures. There are two carved faces on the either sides of the lid with black eyes and eyebrows and a red mouth. The base, top, and sides of the box are made of red cedar; the faces are carved of alder and inset into the cedar, held in place with small wooden dowels. While there may be commercial paints used on the outside, the inner part is painted with a mineral-based paint made of red ochre.

Wide brimmed hat with a small narrow woven rim on the underside of the hat. The hat is woven with three different weaving techniques. The top of the hat has alternating bands of close knit weaving and is decorated with three painted triangular shapes. The middle portion of the top section of the hat has a close weave with no patterns and is decorated with two large eye motifs in green, red, and black. The brim of the hat is woven with alternative bands of diagonal weaving and is decorated with wing patterns of a bird. A three-part tail feather design takes up the majority of the back of the hat brim. The designs are green, red, and black.

A long rectangular cedar plank with faded Northwest Coast designs imprinted in the surface of the wood; black and red designs are barely perceptible. Cedar bark stitching and/or the accompanying holes at top and bottom ends of the board. Large area of rotted wood in the plank's centre. Uniform chisel marks and longitudinal cracks cover the underside.