A long rectangular board made of dark brown-coloured cedar in an openwork design tapering from the widest end. Perforations with coloured, bevelled edges are spaced down the board's length. Yellow-brown openings are three pairs of varying sized elongated ovals, and two ovals, each with a flaring extended triangle shape out one side. These two are arranged lengthwise on the board between pairs of ovals. Last element is recessed red ovoid with perforated eye with dark brown pupil in centre. Shining transparent flakes scattered randomly over board's surface, some of which are loose. Looped through to the back are two sets of wire at the corners of the widest end, one set of which holds a short carved wooden tube.

Three joined cedar pieces: main one is shaped like a forehead. On front, slanting up towards centre are eyes: slightly l-shaped, orange-coloured ovoids, recessed, with black banded, elevated pupils. Black eyebrows above. Long recessed mouth surrounded by black form line. Large red teeth in variant u form. Coloured fields of facial features separated by white. Four nails in piece's front. Space between eyes spread with adhesive for attaching piece. Extending outwards from nose area, piece has three projections in red, black, and white; black one has bulbous end. Hinged on top at back of main piece are two articulated three-feather wings, both sides painted with red, black, and white u forms. Wings attached to main piece by leather pieces nailed on and rigged with fibre cord. White overall has yellowed. Leather is brittle.

Human face with a wrinkled forehead and large protruding ears, lips, eyebrows, and nose. The circular eyes are inset with mirrors and metal rims that are sunken in orange eye sockets. Long curvilinear grooves extend down the sides of the face to the shin from the ears. Cedar bark fringe attached at top of the head is short in the front and long in the back. The mask is painted with orange and blue on the forehead and ears, black brows with white underneath that extends down in a curve on either side of the face that forks at the end beside the mouth, orange around the eyes and on the nostrils and lips, orange and blue on the grooves at the sides of the face, and the remainder of the face is painted black.

Face with wide protruding mouth, large hooked nose, bulging eyes, and markedly protruding ears. Animal fur attached at chin, eyebrows, and top of head where three loops of cedar root (?) are also attached. Rectangular piece of black fur sewn to black cloth hangs from back; another light brown cloth nailed to back, as are green and light brown cords.

Ornament in the shape of a flattened skull, carved and painted on both sides. The eye holes pierce through the wood, and the mouth is carved in a zigzag tooth pattern. The mouth and chin are painted red, and the remainder of the skull is painted white. There is a hole bored through chin, and one through top of head through which is tied to attach some shreds of cedar bark. There are also a few shreds of cedar bark in the chin hole.

Warrior dance knife, or baton in the form of Sisiutl. A long thin downward curving wood piece with a central frontal head and a profile head on either side. The profile heads at either side have scales along their backs with long upward curving protruding tongues. The central frontal head has two upward and outward curling horn-like appendage at the top, and each profile head on either side has another upward and backward curling horn-like appendage at the top. Painted black and red.

Dzunuk'wa (or Tsonoqua) figure with pursed lips and heavy eyebrows. The feast dish lid is painted black with white outlining the eyebrows, brown around the red-rimmed eye holes, white bordering the eye sockets, red nostrils bordered around the top with white, brown bordered with white under the cheeks and down the sides of the jaw, red at the temples, and red on the lips.

Model totem pole with four figures, all mounted on a rectangular wooden base. Figures from bottom up: wolf, human holding fish-like animal, bird. Bottom figure is torso only, with head of wolf; large teeth, long snout, erect ears. Clothed human figure with facial paint on cheeks and painted moustache; has deep prismatic face with pronounced brow ridge; man's feet rest on wolf's head, almost forming ears; fish in his hands extends down to feet. Bird figure above has folded wings and ears. Back of pole is flat. Fragment of newspaper clipping about totem poles is glued on reverse.

Standing figure with splayed legs and bent knees. Block-shaped feet, and prominent square-like head. Black-painted arm sockets appear as protruding sections, as if arms behind back. Face and body painted in black, white, and grey-blue. Face has white spotted sections on cheeks and jaw, and line of black dots under eyes. White and grey-blue paint on middle of chest and around belly, top of legs, and around ankles. Small black circle at centre of breast. Protruding brow, open mouth turned down at corners, recessed eye area, one ear on the right side.

Model totem pole with four figures, all mounted on a rectangular wooden base. Figures from top to bottom: eagle with spread wings, whale, bear and an eagle from the torso up. Pole on a camphor edged base. Carvings are exceptionally high relief with minimal modeling. Background painted blue, beige and yellow. Figures painted dark blue with yellow, beige, purple. Paint irregularly applied throughout. Spread wings of top bird are solid wood with roughly painted blue and beige lines to suggest feathers. Back of pole is flat. Newspaper clipping about totem poles is glued on reverse.