Model totem pole (also fragment bag with wing pieces). From top, bird figure, killerwhale, upside-down male figure. The bird has a large head and small body. It is seated on the back of the killerwhale below, with seperately carved wings inserted into its back. It has feathers painted and a face on its chest. The killerwhale is upright with its head bent forward with the lower half of the upside-down male figure partially inside of its mouth.

Model totem pole with three carved figures. From top, a seated or crouched male figure with feather headdress. The carved headdress has five upright feathers, which increase in size and then decrease again giving the headdress a curved appearance, and an ovoid hole carved above the figure's head. The male figure is crouched on top of a large head, and holds a serpent in front of his body. The large head has upright rounded ears.

Raven headdress, or mask, with long cedar bark fringe. Emerging from the top of the head is a short cedar bark fringe, as well as black feathers and two attached wooden wing panels. Two additional upright wooden wing panels are attached at the back, and one horizontal panel. The panels are carved in relief and painted black, brown and dark red on a black background. The beak is black, and mouth is red. The lower part of the beak is hinged with strips of hide(?), nailed in place, and a thin grey plaited rope is attached to the inside of the lower beak, and hangs down with the long fringe. The eyes are black, outlined in red and black on a white ovoid background; the brow is black. The inside of the headdress is hollow and lined with yellow foam on the upper portion. Two thick plaited ropes are nailed to the top, at the back, to hold the mask on the wearer. Attached along the top ridge is a twisted and dyed cedar rope.

Bentwood box (part a) with separate lid (part b). Softly curved walls of box are attached to square base with pegs and adhesive; sides of base are painted black. Bird motifs painted in red across front and back of box, made up of formline design elements; other formline motifs painted on left and right sides. Sides of thick lid are painted black, rest is undecorated; lid has a short inset lip. Artist signature and date made written and incised on base of box.

Carved wooden face mask with a large nose protruding out from the centre. Painted mainly in black and blue, with large red nostrils and a pattern of red dashes at both upper sides. Round open eyes and an open slit at the mouth. Chin unpainted. Braided cedar bark rope attached all around the edges; the braid meets at the top and is bound by a cotton twine. Half of the bark has been dyed red. Above the bound area the cedar bark sticks out over the forehead, as a loose bundle. Inside unpainted. Artist initials carved into wood (T inside the A). (Metal eye hook and plastic tied across back for hanging.)

Bird mask with simple design around nostril. Decorated with cedar bark and feather fringe. Painted red, black and white.

Raven mask with long beak and small crescent shaped nostrils. Simple design around nostril. Cedar bark fringe and feathers around head. Painted red, black and white.

Large 'Yagis (sea creature) mask, with a model tanker ship in its mouth. Mask face is round, with a heavy dark brow emphasized with carved eyebrows and black paint. Black and red eyes are surrounded by a large area painted blue. The nose is wide with red, flared nostrils, and the mouth is thick, with lips holding a white model oil tanker. Atop the head sit large rounded ears, partially obscured by a thick fringe of long brown horse hair, which also falls around the sides of the face, and is used to create a beard and small moustaches at either corner of the mouth.

Orca whale; made for donor's wife Amy Gillette.

Pair of sisiutl cross-beams from a Kwagu'l house frame. See records A50039 a, b-c and d-e for the rest of the house frame.