Wolf mask, made of two planks with an adjoining nose piece, and four slats at the back; two on top and two on bottom. Slats form a triangular frame, with mask tapering towards front. Wolf face is painted on exterior of planks, using formline design elements. Nose is black, with a wide band along length of snout and brow; white crescents across brow. Additional band, with U-shapes and trigons, extends from long line of white bared teeth. Row of alternating red and black ovoids along the bottom edge. Eyes are white and black, inside a red ovoid; additional ovoids carved around eye. Semi-circular ears attached to top edge; divots carved in centres, and edges painted black. Short bundle of cedar tied onto nose piece; three bundles attached to top of frame, with cedar curving behind slats and underneath mask. Small feather inserted into top centre bundle. Top edges of mask are painted black; interior is undecorated. Artist signature, West Coast Wolf, and date made written inside of mask, towards back opening.

Wooden portrait mask, with long dark hair. Front surface almost completely painted in red, green and black designs; mouth slightly open showing a row of operculum shell teeth; two curved copper bands nailed on as eyebrows; four cut feathers at the top of forehead, with the ends of the quills projecting down through holes to the inside of the mask. The inside of the mask is plain wood, with a horizontal wooden mouth piece attached. Edge of hair pieces inserted in a cut opening along the full length of each side.

Wooden portrait mask, with long dark brown hair. Front surface almost completely painted in red, green and black designs; mouth slightly open showing operculum shell teeth. The inside of the mask is plain wood, with a horizontal wooden mouth piece attached; metal hanging fixtures on back edge of sides. Hair inserted into evenly spaced round holes all along both sides.

Northern-style painted basket with round rim and square base. Plaited rim with 7 rows of check pattern underneath - alternating natural and grey-brown checks. Painted designs are: large face with teeth bared and hands held up; frog design; bird design.

Traditional style harbour canoe. The designs painted on the outside are Thunderbird and Killer Whale, with a black background.

Bentwood box (part a) with red painted corners and lid (part b). The box is lashed and sewn together with root along the seam. There is a notch cutout of the centre of the front panel. The lid has a carved geometric design on the top painted with red details and red corners that line up with the red corners of the box. There is a small x-shaped cut centred along the edge on the underside. Price penciled on interior with small adhesive price label overtop.

Replica house front boards, painted in red and black; reconstruction of image from a Tsimshian house screen board in the MOA collection.

Replica house front boards, painted in red and black; reconstruction of images from a section of a Tsimshian house screen in the MOA collection. Image shows the pair of boards mounted together (DC5.1 and DC5.2).

Model totel pole with two carved figures. From top, a thunderbird with eyes outlined in blue and a mouth outlined in red. Wings are painted with red and blue feathers. Left wing has been reattached with adhesive. The thunderbird sits atop the tail of a whale. The whale is positioned head down with eyes outlined in green, nostrils outlined in red, and mouth outlined in purple. 'CHARLIE JAMSON' written on back.

Model totem pole with three carved figures. From top, a male figure with feather headdress and green-blue eye mask with red marking. The carved headdress has six upright feathers, which increase in size and then decrease again giving the headdress a curved appearance, and an ovoid painted above the figure's head. The seated male figure holds an upside-down grey fish in front of his body, and sits on top of the head of a large animal figure (sea-wolf or sea-bear?). The animal looks downward and sits on a mound creating an s-shape to its reddish-brown body.