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Basketry Hat2005.73.10

Gift of the Harris Family descendants, Port Orford, Oregon.

Culture
Hupa and Yurok
Material
hazel wood, spruce root, beargrass and maidenhair fern
Holding Institution
Portland Art Museum
View Item Record
Doll Cradleboard2005.73.4

Gift of the Harris Family descendants, Port Orford, Oregon.

Culture
Southern Oregon Coast
Material
hazel shoot, cedar bark, hide, dentalia shell and glass bead
Holding Institution
Portland Art Museum
View Item Record
Basket2004.93.1

The Elizabeth Sickler Smith Collection; Gift of her grandson, Edward Conyngham.

Culture
Tlingit
Material
spruce root and grass
Holding Institution
Portland Art Museum
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Basket2004.82.1

Gift of Sibyl Stonach, Charlene Bradley, Dorothea White, Sarah White, and Frances White in memory of Charlotte A. and Herbert White, Jr.

Culture
Plateau
Material
cedar root and beargrass
Holding Institution
Portland Art Museum
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Naxnóx Mask2004.81

Gift of Gail Robertson Bergevin in memory of Margery Robertson.

Culture
Tshimshian
Material
cedar wood
Holding Institution
Portland Art Museum
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Basket2001.93.1

Gift of Raelyn Dolton.

Culture
Klickitat
Material
cedar root and beargrass
Holding Institution
Portland Art Museum
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Wasco Totem2000.34

Lillian Pitt is a local Native American artist whose work reflects her Wasco heritage. She did not become an artist until age 38 when she began working with clay. Now, Pitt works with a variety of materials and is a renowned sculptor, jeweler, and printmaker, as well as an advocate for Native American art. She is especially well known for her masks and other small clay figures that are inspired by the stories of her people that she was taught as a child. The petroglyphs along the Columbia River and other traditional Wasco images have also served as a major source of inspiration. In Wasco Totem, Pitt has created clay forms with traditional Wasco motifs that are similar to those found on baskets, beadwork, and stone carvings. These clay pieces are then assembled on a rough-hewn board and attached with brass nails and wire. The result serves as a monument to the Wasco people. The similarity of the image to a crucifixion also refers to the tremendous struggles that the Wasco and other Native Peoples have endured.

Culture
American, Wasco, Warm Springs, Interior Salish and Yakama
Material
anagama fired clay, cedar wood and copper metal (wire)
Made in
“Plateau” ?
Holding Institution
Portland Art Museum
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Totem Pole Model2000.26

Gift of Joyce E. Osika.

Culture
Kwakwaka'wakw
Material
paint and yellow cedar wood
Made in
Northwest Coast, Canada ? or Northwest Coast, USA ?
Holding Institution
Portland Art Museum
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Red-corner Box1998.25A,B

Rasmussen Collection of Northwest Coast Indian Art; Gift of the Native American Art Council.

Culture
Tlingit
Material
red cedar wood and metal nail
Made in
Northwest Coast, Canada ? or Northwest Coast, USA ?
Holding Institution
Portland Art Museum
View Item Record
Basket1998.23.21A,B

Gift of Priscilla Hagan.

Culture
Coast Salish and Makah
Material
sweet grass, cedar bark, beargrass and analine dye
Made in
Northwest Coast, Canada ? or Northwest Coast, USA ?
Holding Institution
Portland Art Museum
View Item Record