Cedar bark cape or skirt. The bark at top is folded and secured with two rows of light yellow plant fibre. Top row ends in tight knot, against edge; plant fibre making up bottom row extends into a tail, tied off at base. Opposite side of band has a long red cloth tie; black, plaid-like pattern across front of tie, back is undecorated.

Cedar bark apron (part a) and two separate ornaments (parts b-c); apron made up of two panels. Apron's waist band consists of braided cords with fringe inserted in between them at centre; all bound together with red-dyed bark. Braided cords continue into long ties on outer edges; end in bundles of tied off fringe. Panels are bound together at centre with red-dyed bark; short braided cords cross over one another in middle of apron. Ornaments are braided pieces of cedar bark with tied off fringe at base; great, black, and white feathers inserted along length.

Cedar bark headband with woven central panel; loose strands at ends are bound together with red-dyed bark tie, close to panel. (Headband is folded in half.)

Digging stick with a broad, slightly curved blade on one side. There is a raised section dividing the handle from the blade. The handle is wrapped with bark, and there is another raised protuberance at the end.

Basketry baby carrier with woven tumpline; made up of slat foundation and sides covered with coiled cedar bark. Carrier is rounded and wider at head; tapered and narrow at foot. Exterior sides and head walls have a repeating checkered square pattern, alternating between red-brown and black; thin bands of undyed bark in between squares. Exterior wall of foot has two squares with half red-brown and half black checkers. Interior of carrier is undecorated. Thin skin straps and ties threaded through top edge, near four corners and head of carrier; tumpline is attached to skin straps at foot. Tumpline has central diamond design with triangles extending from either side; diamond and triangles are undyed. Negative space around shapes done in black, red, and olive green alternating bands.

Basketry covered clay jar with designs throughout a central band. Designs include steamship, deer, flowers, cannery, and boat; done in red, brown, green, and yellow. Above and below the band are open weave sections, trimmed with red; thin red stripe around foot of jar with purple triangles extending from either side. Two bands wrap around shoulder; top is red and green and bottom is plain yellow. Third open weave section divides shoulder and neck of jar; plain piece of cedar wraps around neck, trimmed with red. Red inverted triangles decorate opening of basketry; base of basketry consists of alternating bands of weave and open weave. Centre of base is woven and decorated with a plain green line. Glazed clay jar is dark brown.

Small woven grass basket with lid. Round basket with upper edge with one strip of cedar bark, that fits tightly under the dome-shaped lid. The imagery on the basket is of four green birds flying in the same direction around the middle, with a black and red stripe near the base. The lid has a faded black peak, with one black swirl and one red swirl below; the bottom edge of the lid has a green and red stripe around it. The colours inside are very bright, showing a dark blue-green and dark red-pink on the lid.

Glass bottle covered with basketry. The basketry pattern has six bands of different types of weaving. The base is plain cedar bark; the bottom outer band is woven grass with red borders and a canoe image on both sides; next is a looser band of cedar weaving with a diagonal pattern (partly transparent), then a wider central grass band with an image similar to the BC Coat of Arms in the centre (shield-like shape between an elk and bighorn sheep, standing at sides) on one side, also with red borders. The other side appears to be a wolf headdress; then another loose cedar bark band; then another grass band with a canoe design on both sides, red borders, and two ducks on the short sides. There are 7 curved lines going up each shoulder; with the basketry ending midwayup the neck of the bottle (clear glass above). The bottle itself is somewhat oval, with flattened faces and rounded sides; the shoulders angle in sharply to a narrow neck (no lid).

Carved wooden face mask with a large nose protruding out from the centre. Painted mainly in black and blue, with large red nostrils and a pattern of red dashes at both upper sides. Round open eyes and an open slit at the mouth. Chin unpainted. Braided cedar bark rope attached all around the edges; the braid meets at the top and is bound by a cotton twine. Half of the bark has been dyed red. Above the bound area the cedar bark sticks out over the forehead, as a loose bundle. Inside unpainted. Artist initials carved into wood (T inside the A). (Metal eye hook and plastic tied across back for hanging.)

Tamer's headdress. Cedar bark headdress in the form of a rounded beak: two semi-circular flaps at front representing a beak with two long oval shapes that sit on top of beak, a hooked nose that projects out over the beak. Bunched cedar strips are attached at the top of the headdress frame with thick white string, and white string is wrapped around the base of the frame at the back. (Photos show mask without the nose piece; nose repaired in 2021.)