• Results (3,554)
  • Search

Item Search

The item search helps you look through the thousands of items on the RRN and find exactly what you’re after. We’ve split the search into two parts, Results, and Search Filters. You’re in the results section right now. You can still perform “Quick searches” from the menu bar, but if you’re new to the RRN, click the Search tab above and use the exploratory search.

View Tutorial

Log In to see more items.

Mask | Heyliwey25.0/214

Perhaps an example of the heyhliwey, or taming forehead mask, this small raven mask is an example of the restrained, sensitively designed hamatsa masks of the 1880s. The wearing of the heyhliwey on the forehead of the hamatsa's wife or sister is done during the last quiet dance of the hamatsa, and is said to symbolize the fact that the cannibal masks have been put in their places and the wildness of the hamatsa himself has been removed. (Holm, Crooked Beak of Heaven, 1972)

Culture
Kwakwaka'wakw
Material
wood, paint, cedar bark and leather
Holding Institution
The Burke: University of Washington
View Item Record
Mask25.0/310

The identification of this mask is uncertain, but the long fringe of red-dyed shredded cedar bark decorating it leads to the conclusion that it belongs to the Winter Ceremonial. It is very likely one of the many beings represented by masked dancers in the atlakim. Interestingly, there is a tradition of destroying certain kinds of masks after using them a limited number of times, and the atlakim is one of the performances of which this was said to have been typical. The modelling of the features, with sharp definition of the eyesocket and deeply grooved cheek line, together with the white painted background and green eyesockets, clearly proclaim Kwakwaka'wakw origin. (Holm, Crooked Beak of Heaven, 1972)

Culture
Kwakwaka'wakw
Material
wood, cedar bark and paint
Holding Institution
The Burke: University of Washington
View Item Record
Arm Ring7725
Head Ring1-1445
Basketry Mat2274

The paint is red and black.

Culture
Nuu-chah-nulth ?
Material
yellow cedar bark and paint
Holding Institution
The Burke: University of Washington
View Item Record
Basket1-715
Masmasa'lano2768/1

Portrait mask. Red, blue and black facial features and tattoo are painted onto the natural wood background. Abalone shell discs and a thin band are glued to the eyes and mouth and a thick coil of red bark rope is attached along the chin line. Long twists of dark hair and tied bundles of painted red bark strips with blue ends drape across the forehead and down the sides.

Culture
Heiltsuk
Material
cedar wood, cedar bark, human hair, paint, abalone shell, metal and epoxy adhesive
Made in
Bella Bella, British Columbia, Canada and 'Qvuqvai, British Columbia, Canada
Holding Institution
MOA: University of British Columbia
View Item Record
BasketA6673 a-b

A short, cylindrical woven basket (a) with lid (b). Base with large central plaited area; plain twined weaving over wide warp strands; sides and lid are twisted, twined work. Upper and lower bands of black, orange, black, plain, black. Central ribbon of yellow wide slanted diagonals on red ground, bordered by yellow and red stripes. Shoulder has thin stripes of blue and purple. Lid has central black sunburst with a ribbon of yellow wide slanted diagonals on orange ground, and thin stripes of black and orange.

Culture
Nuu-chah-nulth
Material
swamp grass, cedar bark and aniline dye
Made in
Vancouver Island, British Columbia, Canada
Holding Institution
MOA: University of British Columbia
View Item Record
BasketA8798 a-b

Square swamp grass basket (a) with a square lid (b). Multicoloured linear patterning around the sides and lid: black, green, orange, and pink.

Culture
Nuu-chah-nulth
Material
swamp grass, dye and cedar bark
Made in
Port Alberni, British Columbia, Canada
Holding Institution
MOA: University of British Columbia
View Item Record
BailerUA4