Large, carved bird mask with a long beak, a high bridge and ovoid shaped cutout nostrils. The beak is hinged with pieces of rubber nailed to either side. The beak is painted black with a red mouth and nose. At the back of the nose is a large red split U-forms. The bridge has six red U-forms on the bottom and eight, white U-forms on top. The eyes are white, outlined in black, on a white, ovoid shaped background; brow is black. Underneath the eye is four white U’s. The inside of the mask is hollow with the exception of twine used to open and close the beak along with a fibre cloth. The top and side edges of the mask are lined with braided cedar. The top has short pieces of cedar creating a fringe, while the back has longer strips that hang over the wearer. The mask is painted black, red, and white with stylized designs.

Large, carved, wooden, raven hamatsa mask with a long beak and two sets of s-shaped cutout nostrils. The beak is hinged with pieces of leather nailed to either side. The beak is painted black with a red mouth and nose. At the back of the mouth are three red ovoid-like shapes. Surrounding the nose are two s-shapes and three elongated s-shapes. The eyes are white, outlined in black, surrounded by red, on a white, ovoid shaped background; brow is black. The inside of the mask is hollow with the exception of twine used to open and close the beak. The top, side and bottom edges of the mask are lined with braided cedar. The top and sides have short bundles of cedar creating a fringe. Intertwined in the cedar are a few feathers. The underside of the mouth is painted black with a small white and red design. The mask is painted black, red, and white with Northwest Coast stylized designs.

Oval cedar bark basket with a square bottom and dark brown diagonal overlay decoration. Decoration consists of four pair of two parallel lines each of dyed cedar bark. Decoration starts near the rim and turns at the corner of base and proceeds up towards the opposite rim, resulting in the decoration covering all sides of basket. Dyed bark is seen every other stitch. String handles consist of two bundles of three pieces of string. The two bundles run parallel to each other, joined together at their top edges by another bundle of two or three pieces of string 6 cm. long. String runs inside the basket for 2.7 cm. on one side, and 4 cm. on the other. String does not run on the underside of the basket.

Large, carved, wooden, raven hamatsa mask with a long, tall, beak and cutout nostrils. The beak is hinged with pieces of rubber nailed to either side. The beak is painted black with a red mouth and noses. Along the back of the nose to the back of the mouth are red U-forms and other shapes outlined in white. The eyes are white, outlined in black, surrounded by red on a white, ovoid shaped background; brow is black. The inside of the mask is hollow with the exception of twine used to open and close the beak. The top has short pieces of cedar creating a fringe, while the back has longer strips that hang over the wearer. Intertwined in the cedar are many feathers. There is a piece of cloth that hangs down over the front of the wearer. The mask is painted black, red, and white with Northwest Coast stylized designs.

Carved, wooden, raven-kolus transformation mask. The exterior raven consists of a long black beak, red mouth and cutout nostrils. The eyes are white, outlined in black on a white background surrounded by a green ovoid; brow is black. The mask opens in four directions – to the sides, up and down – exposing kolus with a short white beak, red mouth and nostrils. The eyes are white, outlined in black on a white background surrounded by a green ovoid; brow is black. The side boards depict its wings; top its tail feathers while the bottom open board is detailed with ovoids, U’s and split U’s. Twine cord attaches to all four sides to assist the mask in opening and shutting. The opened boards are hinged with leather and attached by nails. The mask is painted white, black, green and red with Northwest Coast stylized designs. Long strips of cedar hang down the back covering the head of the wearer.

Wooden, carved, oval shaped, human transformation mask with a small bear mounted on the head like a headdress. The front of the mask is a large human face with red mouth and nose, black moustache and black outlined eyes on a white circular background surrounded by a green ovoid. The face is outlined in white. The bear has a long snout painted black with white edging. The nose and mouth are red. The mask splits down the centre and opens to expose another human/whale face. The inner face is detailed exactly like the outer face with the exception of killer whale motifs painted on the cheeks and forehead. The eyes have drilled holes. The opened boards are hinged with leather and nails; they are painted white with human hands and arms. The back of the bear has many twisted cedar strips that hang. The outer face is lined with small bundles of cedar. The mask is painted dark green, black, white and red with Northwest Coast stylized designs.

Wooden, carved, dear-human transformation mask with a long snout painted red with circular cutout nostrils. The jaw is hinged with a piece of leather nailed to the lower mouth; the sides have metal hinges. The face is dark red/brown with white edging and detailing; black outlined eyes on a green, ovoid-like shaped background; brow is black. There are two large, orange ears nailed to the top that appear to be added later. The mask opens in three directions – to the sides and down – exposing a painted human face with cutout nostrils. The three open boards are detailed with the figures hands, along with ovoids, U’s and split U’s. Twine cord that attaches to all three sides and run through the human’s nose to assist the mask in opening and shutting. The back has numerous cedar strips that would fall behind the head of the wearer. The mask is painted red, dark red/brown black, green, white and black with Northwest Coast stylized designs.

Staff featuring figures that are carved in the form of coppers and geometric shapes; the middle u-shape appears to have a Chilkat or ancestor face on it. The handle has shredded cedar bark attached with fibre twine. Colours used are black and red.

Carved, wooden, supernatural raven mask with a long beak and circular, cutout nostrils. The beak is hinged with piece of rubber on either side; nailed shut. The beak is painted black with red nostrils and mouth. There are s-shapes carved by the nostrils with red paint around. Above the nostrils is a protrusion. The eyes are white, outlined in black on a white, ovoid shaped background; brow is black. Attached to the top of the head are short strips of cedar bark creating a fringe. The inside of the mask is hollow. The mask is painted black, red, and white with Northwest Coast stylized designs.

Carved, wooden, raven mask with a long beak. The beak is hinged with leather twine on either side. The beak is painted black with a red mouth and nose. The eyes are outlined in black on a white, ovoid shaped background; brow is black. Attached to the top of the head is a braid of cedar. The back has cedar bundles tied to a wooded frame that sits on the wearers head. The inside of the mask is hollow with the exception of an attached twine cord that assisted the beak in opening and shutting. The mask is painted black, white and red with Northwest Coast stylized designs.